The train draws up at its only halt in the glow of a September
mid-afternoon. There is a little pleasant bustle; nice people get
out and nice people meet them; everybody seems very cheery and
contented. Then we are off again ... and now the next station is
mine.
We are there. A porter takes my things with a kindly smile and a
"Nice day." I see Brant outside with the wagonette, not the trap;
then I am not the only guest coming by this train. Who are the
others, I wonder. Anybody I know? ... Why, yes, it's Bob and Mrs.
Bob, and--hallo!--Cynthia! And isn't that old Anderby? How
splendid! I must get that shilling back from Bob that I lost to
him at billiards last time. And if Cynthia really thinks that she
can play croquet ...
We greet each other happily and climb into the wagonette. Never
has the country looked so lovely. "No; no rain at all," says
Brant, "and the glass is going up." The porter puts our luggage
in the cart and comes round with a smile. It is a rotten life
being a porter, and I do so want everybody to enjoy this
afternoon. Besides, I haven't any coppers.
I slip half a crown into his palm. Now we are all very, very
happy.
The Pond
My friend Aldenham's pond stands at a convenient distance from
the house, and is reached by a well-drained gravel path; so that
in any weather one may walk, alone or in company, dry shod to its
brink, and estimate roughly how many inches of rain have fallen
in the night. The ribald call it the hippopotamus pond, tracing a
resemblance between it and the bath of the hippopotamus at the
Zoo, beneath the waters of which, if you particularly desire to
point the hippopotamus out to somebody, he always lies hidden. To
the rest of us it is known simply as "the pond"--a designation
which ignores the existence of several neighbouring ponds, the
gifts of nature, and gives the whole credit to the handiwork of
man. For "the pond" is just a small artificial affair of cement,
entirely unpretentious.
Public-domain text, read in full here on John Shaqi.
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