So many of one's acquaintances at some time or other have "eaten
dinners" that one hardly dares to say anything against the
profession. Besides, one never knows when one may not want to be
defended. However, I shall take the risk, and put the barrister
in the dock. "Gentlemen of the jury, observe this well-dressed
gentleman before you. What shall we say about him?"
Let us begin by asking ourselves what we expect from a
profession. In the first place, certainly, we expect a living,
but I think we want something more than that. If we were offered
a thousand a year to walk from Charing Cross to Barnet every day,
reasons of poverty might compel us to accept the offer, but we
should hardly be proud of our new profession. We should prefer to
earn a thousand a year by doing some more useful work. Indeed, to
a man of any fine feeling the profession of Barnet walking would
only be tolerable if he could persuade himself that by his
exertions he was helping to revive the neglected art of
pedestrianism, or to make more popular the neglected beauties of
Barnet; if he could hope that, after his three- hundredth
journey, inquisitive people would begin to follow him, wondering
what he was after, and so come suddenly upon the old Norman
church at the cross-roads, or, if they missed this, at any rate
upon a much better appetite for their dinner. That is to say, he
would have to persuade himself that he was walking, not only for
himself, but also for the community.
It seems to me, then, that a profession is a noble or an ignoble
one, according as it offers or denies to him who practises it the
opportunity of working for some other end than his own
advancement. A doctor collects fees from his patients, but he is
aiming at something more than pounds, shillings, and pence; he is
out to put an end to suffering. A schoolmaster earns a living by
teaching, but he does not feel that he is fighting only for
himself; he is a crusader on behalf of education. The artist,
whatever his medium, is giving a message to the world, expressing
the truth as he sees it; for his own profit, perhaps, but not for
that alone. All these and a thousand other ways of living have
something of nobility in them. We enter them full of high
resolves. We tell ourselves that we will follow the light as it
has been revealed to us; that our ideals shall never be lowered;
that we will refuse to sacrifice our principles to our interests.
We fail, of course. The painter finds that "Mother's Darling"
brings in the stuff, and he turns out Mother's Darlings
mechanically. The doctor neglects research and cultivates instead
a bedside manner. The schoolmaster drops all his theories of
education and conforms hastily to those of his employers. We
fail, but it is not because the profession is an ignoble one; we
had our chances. Indeed, the light is still there for those who
look. It beckons to us.
Public-domain text, read in full here on John Shaqi.
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