My pen is getting tired; it has lost its first fair youth.
However, I can still go on. I was at school with a boy whose
uncle made nibs. If you detect traces of erudition in this
article, of which any decent man might be expected to be
innocent, I owe it to that boy. He once told me how many nibs his
uncle made in a year; luckily I have forgotten. Thousands,
probably. Every term that boy came back with a hundred of them;
one expected him to be very busy. After all, if you haven't the
brains or the inclination to work, it is something to have the
nibs. These nibs, however, were put to better uses. There is a
game you can play with them; you flick your nib against the other
boy's nib, and if a lucky shot puts the head of yours under his,
then a sharp tap capsizes him, and you have a hundred and one in
your collection. There is a good deal of strategy in the game
(whose finer points I have now forgotten), and I have no doubt
that they play it at the Admiralty in the off season. Another
game was to put a clean nib in your pen, place it lightly against
the cheek of a boy whose head was turned away from you, and then
call him suddenly. As Kipling says, we are the only really
humorous race. This boy's uncle died a year or two later and left
about L80,000, but none of it to his nephew. Of course, he had
had the nibs every term. One mustn't forget that.
The nib I write this with is called the "Canadian Quill"; made, I
suppose, from some steel goose which flourishes across the seas,
and which Canadian housewives have to explain to their husbands
every Michaelmas. Well, it has seen me to the end of what I
wanted to say--if indeed I wanted to say anything. For it was
enough for me this morning just to write; with spring coming in
through the open windows and my good Canadian quill in my hand, I
could have copied out a directory. That is the real pleasure of
writing.
Acacia Road
Of course there are disadvantages of suburban life. In the fourth
act of the play there may be a moment when the fate of the erring
wife hangs in the balance, and utterly regardless of this the
last train starts from Victoria at 11.15. It must be annoying to
have to leave her at such a crisis; it must be annoying too to
have to preface the curtailed pleasures of the play with a meat
tea and a hasty dressing in the afternoon. But, after all, one
cannot judge life from its facilities for playgoing. It would be
absurd to condemn the suburbs because of the 11.15.
Public-domain text, read in full here on John Shaqi.
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