Note-Book of Anton ChekhovChekhov, Anton Pavlovich
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Note-Book of Anton Chekhov
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Notebooks, sketchbooks, etc.
And I also thought that, before the dawn of a
new life has broken, we shall turn into sinister old men and women and
we shall be the first who, in our hatred of that dawn, will calumniate
it.
* * * * *
Mother never stops talking about poverty. It is very strange. In the
first place, it is strange that we are poor, beg like beggars, and at
the same time eat superbly, live in a large house; in the summer we go
to our own country house, and generally speaking we do not look like
beggars. Evidently this is not poverty, but something else, and rather
worse. Secondly, it is strange that for the last ten years mother has
been spending all her energy solely on getting money to pay interest.
It seems to me that were mother to spend that terrible energy on
something else, we could have twenty such houses. Thirdly, it seems to
me strange that the hardest work in the family is done by mother, not
by me. To me that is the strangest thing of all, most terrible. She
has, as she has just said, a thought on her brain, she begs, she
humiliates herself; our debts grow daily and up till now I have not
done a single thing to help her. What can I do? I think and think and
cannot make it out. I only see clearly that we are rushing down an
inclined plane, but to what, the devil knows. They say that poverty
threatens us and that in poverty there is disgrace, but that too I
cannot understand, since I was never poor.
* * * * *
The spiritual life of these women is as gray and dull as their faces
and dresses; they speak of science, literature, tendencies, and the
like, only because they are the wives and sisters of scholars and
literary men; were they the wives and sisters of inspectors or of
dentists, they would speak with the same zeal of fires or teeth.
To allow them to speak of science, which is foreign to them, and to
listen to them, is to flatter their ignorance.
* * * * *
Essentially all this is crude and meaningless, and romantic love
appears as meaningless as an avalanche which involuntarily rolls down
a mountain and overwhelms people. But when one listens to music, all
this is: that some people lie in their graves and sleep, and that one
woman is alive--gray-haired, she is sitting in a box in the theatre,
quiet and majestic, and the avalanche seems no longer meaningless,
since in nature everything has a meaning. And everything is forgiven,
and it would be strange not to forgive.
* * * * *
Olga Ivanovna regarded old chairs, stools, sofas, with the same
respectful tenderness as she regarded old dogs and horses, and her
room, therefore, was something like an alms-house for furniture.
Round the mirror, on all tables and shelves, stood photographs of
uninteresting, half-forgotten people; on the walls hung pictures at
which nobody ever looked; and it was always dark in the room, because
there burnt there only one lamp with a blue shade.
Public-domain text, read in full here on John Shaqi.
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