witnessed by John Carpenter, then Bishop of Worcester; Sir Thomas
Littleton, Serjeant-at-Law (the very celebrated Judge who was buried,
in the Cathedral); and others. There is also a figure kneeling. This
is a Saint, as he has the nimbus round his head, and from his young
and beardless face it is probably St. John. There is also between this
figure and the coroneted head a grotesque head with the mouth open and
the tongue protruded. This I never before saw in a window, or inside a
church, though it is very common in carving on the outside of churches.
These grotesques are by some supposed to represent the deadly sins--the
evil passions and the like. May not this device be founded on _Isaiah_
ch. lvii, v. 4?
BISHOP THORNBOROUGH'S MONUMENT.
The Rev. O. Fox, incumbent of Knightwick-cum-Dodenham, late head master
of the Worcester College School, has advanced the following ingenious
theory to account for the remarkable epitaph on the above monument in
the Lady Chapel of Worcester Cathedral, which has long puzzled our
local and other antiquaries. The epitaph (he says) was prepared by the
Bishop himself fourteen years before his decease in 1641, at the age of
94. He was addicted to alchemy, and published a book in 1621, entitled
#Dithotheôrikos#, _sive, Nihil aliquid, omnia, &c._ In the course of
some recent studies in the Pythagorean philosophy, my attention was
accidently engaged by this inscription; and it at once struck me that
it was thence that the explanation was to be derived. The epitaph is as
follows: on one side,
"Denarius Philosophorum, Dum Spiro Spero."
on the other
"In Uno, 2o 3o 4or 10. non Spirans Sperabo."
The two latter letters are now effaced.
It is well known that the Pythagoreans found all the modes of space in
the relations of numbers.
Public-domain text, read in full here on John Shaqi.
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