The monad, or unit, was not only the _point_ whence all extension
proceeds, but it further symbolised the First Principle, the origin of
all. The decad represented the line, as being bounded by two points
or monads. The triad stood for surface, as length and width. The
tetrad for the perfect figure--the cube, length, depth, and width.
The decad, or denarius, indicated comprehensively all being, material
and immaterial, in the utmost perfection: hence the term _decas_, or
_denarius_, was used summarily for the whole science of numbers, and
in the title of Meursius's tract, "De Denario Pythagorico," which
was published four years after the date of the inscription, and when
the philosophy was attracting much attention among European scholars.
To be as concise as possible, then, I presume that the old bishop
intended that the tomb on which his effigy lies was his access to
that perfection of existence which philosophers had designated by the
_decas_, or _denarius_. During the present life he was hoping for it.
"_Dum Spiro Spero_."--On the other side: "In Him, who is the source,
the beginning, the middle, and the end of all existence and perfection
(in _Uno_, 2o. 3o. 4or 10. _non Spirans Sperabo_), though I breathe no
more, yet shall I hope."
Such is probably the meaning of his pious conceit, and I offer it as
a solution of what has long served for a riddle to the visitors of
our Cathedral. Beyond this, your readers and myself may be equally
indifferent to such cabalistical quaintness. But let us treat it with
charity, as the devout consummation of an aged alchymist.
VINEYARDS.
Public-domain text, read in full here on John Shaqi.
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