Osiander, 1537. | Macknight, 1756. Jansen, 1549-72. | Bengel, 1766. Chemnitz, 1593. | Buesching, 1766. Lightfoot, 1644. | Bertlings, 1767. Van Til, 1687. | Priestley, 1777. Lamy, 1689. | Schutte, 1779. Le Roux, 1699. | Stephan, 1779. Le Clerc, 1700. | Michaelis in his New Test. May, 1707. | Rullmann, 1790. Von Canstein, 1718-27.| Griesbach, 1776-97. Rus, 1727-30. | White, 1799. Hauber. | De Wette, 1818. For other Harmonies, see Mr. Horne's _Bibliog. Index_, p. 128. Heringa considers that the following writers "have brought the four Evangelists into an harmonious arrangement, namely: Hesz, 1784. | Stronck, 1800. Bergen 1804.| Townsend, 1834. And especially as to the sufferings and resurrection of Christ: Voss, 1701. | Michaelis (translated by Duckett, 1827). Iken, 1743. | Cremer, 1795. T. J. BUCKTON. Birmingham. {416} Ammonius, an Egyptian Christian nearly cotemporary with Origen (third century), wrote a Harmony of the four gospels, which is supposed to be one of those still extant in the _Biblioth. Max. Patrum_. But whether the larger Harmony in tom. ii. part 2., or the smaller in tom. iii., is the genuine work is doubted. See a note to p. 97. of Reid's _Mosheim's Ecclesiastical History_, 1 vol. edition: London, Simms and McIntyre, 1848. CHRIS. ROBERTS. Bradford, Yorkshire. * * * * * SMALL WORDS AND LOW WORDS. (Vol. ii., pp. 305. 349. 377.; Vol. iii., p. 309.) A passage in Churchill, and one in Lord John Russell's _Life of Moore_, have lately reminded me of a former Note of mine on this subject. The structure of Churchill's second couplet must surely have been suggested by that of Pope, which formed my original text: "Conjunction, adverb, preposition, join To add new vigour to the nervous line:-- In monosyllables his thunders roll,-- He, she, it, and, we, ye, they, fright the soul." _Censure on Mossop._ Moore, in his Journals, notes, on the other side of the question, conversation between Rogers, Crowe, and himself, "on the beauty of monosyllabic verses. 'He jests at scars,' &c.; the couplet, 'Sigh on my lip,' &c.; 'Give all thou canst,' &c. &c., and many others, the most vigorous and musical, perhaps, of any." (Lord John Russell's _Moore_, vol. ii. p. 200.) The frequency of monosyllabic lines in English poetry will hardly be wondered at, however it may be open to such criticisms as Pope's and Churchill's, when it is noted that our language contains, of monosyllables formed by the vowel _a_ alone, considerably more than 500; by the vowel _e_, about 450; by the vowel _i_, nearly 400; by the vowel _o_, rather more than 400; and by the vowel _u_, upwards of 260; a calculation entirely exclusive of the large number of monosyllables formed by diphthongs.