"_Cho._--Love and joy come to you, And to your wessel too, And God send you a happy new year, A new year, And God send you a happy new year. "Our wessel cup is made of the rosemary tree, So is your beer of the best barley. "We are not daily beggars, That beg from door to door, But we are neighbours' children, Whom you have seen before. "Call up the butler of this house, Put on his golden ring, Let him bring us up a glass of beer, And the better we shall sing. "We have got a little purse, Made of stretching leather skin, We want a little of your money, To line it well within. "Bring us out a table, And spread it with a cloth, Bring us out a mouldy cheese, And some of your Christmas loaf. "God bless the master of this house, Likewise the mistress too, And all the little children, That round the table go. "Good master and mistress, While you'r sitting by the fire, Pray think of us poor children, Who are wand'ring in the mire. "_Cho._--Love and joy come to you, And to your wessel to, And God send you a happy new year, A new year, And God send you a happy new year. Our wessel cup is made of the rosemary tree, So is your beer of the best barley." It is a song of the season which well deserves to be preserved. Its insertion will at least have that effect, and may be the means of our discovering an earlier and purer text. AMBROSE MERTON. _Portrait of Charles I._--In Sir Henry Ellis's _Original Letters_, 2d series, vol. iii. p. 254., amongst the prefatory matter to the reign of Charles I., there is a notice of a sermon, entitled "The Subject's Sorrow, or Lamentations upon the Death of Britaine's Josiah, King Charles." Sir Henry Ellis says it is expressly stated, in this Sermon, that the King himself desired "that unto his Golden Manual might be prefixed his representation, kneeling; contemning a temporal crown, holding our blessed Saviour's crown of thorns, and aspiring unto an eternal crown of happiness." Note _b_. upon this passage is as follows:-- "This very portrait of King Charles the First, engraved by Marshall, adorned the original edition of the [Greek: Eikon Basilikae]. 8vo. 1648. _The same portrait, as large as life, in oil painting, was afterwards put up in many of our churches._" When I was a boy, such a portrait, in oil painting, hung upon the south wall of the body of St. Michael's Church, Cambridge, between the pulpit and a small door to the west, leading into the south aisle. Out of the window of the chamber in which the King was kneeling was represented a storm at sea, and the ship being driven by it upon some rocks.