The following are examples of corrections being adopted: P. 6. Latin ed. "Quod abunde probabitur in principio libri secundi." For the last word _subsequentis_ is substituted, and the English has _following_. P. 35. "Hippolitus" is added to the authorities in the MS.; and in the English, p. 36., "Anastasius Sinaiti, S. Gaudentius, Q. Julius Hilarius, Isidorus Hispalensis, and Cassiodorus," are inserted after Lactantius, in both. P. 37. "Johannes Damascenus" is added after St. Augustin in both. P. 180. a clause is added which seems to have suggested the sentence beginning, "Thus we have discharged our promise," &c. But, on the other hand, in p. 8. the allusion to the "Orphics," which is struck out in the Latin, is retained in the English; and in the latter there is no notice taken of "Empedocles," which is inserted in the margin of the Latin. In p. 11. "Ratio naturalis" is personified, and governs the verb _vidit_, which is repeated several times. This is changed by the corrector into vidimus; but in the English passage, though varying much from the Latin, the personification is retained. In p. 58., "Dion Cassius" is corrected to "Xiphilinus;" but the mistake is preserved in the English version. JOHN JEBB. * * * * * SHAKSPEARE'S EMPLOYMENT OF MONOSYLLABLES. I offer the following flim-flam to the examination of your readers, all of whom are, I presume, more or less, readers of Shakspeare, and far better qualified than I am to "anatomize" his writings, and "see what bred about his heart." I start with the proposition that the language of passion is almost invariably broken and abrupt, and the deduction that I wish to draw from this proposition, and the passages that I am about to quote is, that--_Shakspeare on more than one occasion advisedly used monosyllables, and monosyllables only, when he wished to express violent and overwhelming mental emotion_, ex. gratiâ:-- _Lear._ "Thou know'st the first time that we smell the air, We wawl, and cry:--I will preach to thee; mark me. [_Gloster._ "Alack! alack the day!] _Lear._ "When we are born, we cry, that we are come To this great stage of fools,--This a good block?" --_King Lear_, Act IV. Sc. 6. In this passage [I bracket Gloster] we find no fewer than _forty-two monosyllables_ following each other consecutively. Again, "------but through his lips do throng Weak words, so thick come, in his poor heart's aid, That no man could _distinguish_ what he said." _Rape of Lucreece_, Stanza 255.