Notes and Queries, Number 166, January 1, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. — John Shaqi
Notes and Queries, Number 166, January 1, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Number 166, January 1, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
"The Arcadians determined to assume every one a pastoral name and a
Greek birthplace; to hold their meetings in some verdant meadow, and to
mingle with all their own compositions, as far as possible, images from
pastoral life; images always agreeable, because they recall the times
of primitive innocence. The poetical tribe adopted as their device the
pipe of seven reeds bound with laurel, and their president, or
director, was denominated General Shepherd or Keeper--_Custode
Generale_."
He slightly mentions the German academics of the sixteenth century (III.
ix. 30.), and says:
"It is probable that religious animosities stood in the way of such
institutions, _or they may have flourished without obtaining much
celebrity_."
The academy of Pegnitz-shepherds ("Pegnitzshäfer-orden") took its name from
the little river Pegnitz which runs through Nuremberg. Herr Sigmond von
Birken was elected a member in 1645. He chose _Floridan_ as his pastoral
name, and the amaranth as his flower. In 1658 he was admitted to the Palm
Academy ("Palmen-orden"), choosing the name _Der Erwacsene_ (the adult?),
and the snowdrop. In 1659, a vacancy having occurred in the
Pegnitz-Herdsmen ("Pegnitz-Hirten") he was thought worthy to fill it, and
in 1679 he received the diploma of the Venetian order of the Recuperati. He
died in 1681. This, and what can be hung upon it, is _Die Betrübte
Pegnitz_, a dialogue of 406 pages. It opens with a meeting of shepherds and
shepherdesses, who go in and out of their cottages on the banks of the
Pegnitz, and tell one another, what all seem equally well acquainted with,
the entire life of their deceased friend. It would not be easy to find a
work more clumsy in conception and tasteless in execution. Herr von Birken
seems to have been a prosperous man, and to have enjoyed a high pastoral
reputation. His works are enumerated, but the catalogue looks ephemeral.
There is, however, one with a promising title: _Die Trockene Trunkenheit,
oder die Gebrauch und Missbrauch des Tabacks_. His portrait, as "Der
Erwachsene," is prefixed. It has not a shepherd-like look. He seems about
fifty, with a fat face, laced cravat, and large flowing wig. There are
twenty-four emblematical plates, rather below the average of their time.
Public-domain text, read in full here on John Shaqi.
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