Notes and Queries, Number 169, January 22, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Number 169, January 22, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
Might I ask if there is any writer, ancient or modern, who has recorded
that Malta was not the burial-place of Hannibal?
W. W.
Malta.
* * * * *
Minor Notes.
_Waterloo._--I do not know whether, in any of the numerous lives of the
late Duke of Wellington, the following fact has been noticed. In Strada's
History of the Belgian war (a work which deserves to be better known and
appreciated than it is at present), there occurs a passage which shows
that, about three hundred years since, Waterloo was the scene of a severe
engagement; so that the late sanguinary struggle was not the first this
battle-ground has to boast of. The passage occurs in _Famianæ Stradæ de
Bello Belgico, Decas prima_, lib. vi. p. 256., edit. Romæ, 1653; where,
after describing a scheme on the part of the insurgents for surprising
Lille, and its discovery by the Royalists, he goes on:
"Et Rassinghemius de Armerteriensi milite inaudierat: nihilqve moratvs
selectis centvmqvinqvaginta peditibvs et equitibus sclopetariis fermè
qvinqveginta prope _Waterlocvm_ pagvm pvgnam committit."
What makes this more curious is, that, like the later battle, neither of
the contending parties on this occasion were natives of the country in
which the battle was fought, they being the French Calvinists on one side
and the Spaniards on the other.
PHILOBIBLION.
"_Tuch._"--In "The Synagogue," attached to Herbert's _Poems_, but written
by Chr. Harvie, M.A., is a piece entitled "The Communion Table," one verse
of which is as follows:
"And for the matter whereof it is made,
The matter is not much,
Although it be of _tuch_,
Or wood, or mettal, what will last, or fade;
So vanitie
And superstition avoided be."
S. T. Coleridge, in a note on this passage, printed in Mr. Pickering's
edition of Herbert, 1850 (fcap. 8vo.), says:
"_Tuch_ rhyming to _much_, from the German _tuch_, cloth: I never met
with it before as an English word. So I find _platt_, for foliage, in
Stanley's _Hist. of Philosophy_, p. 22."
Whether Coleridge rightly appreciated Stanley's use of the word _platt_, I
shall not determine; but with regard to _touch_, it is evident that he went
(it was the tendency of his mind) to Germany for error, when truth might
have been discovered nearer home. The context shows that _cloth_ could not
have been intended, for who ever heard of a table or altar made of cloth?
The truth is that the poet meant _touchstone_, which the author of the
_Glossary of Architecture_ (3rd edit., text and appendix) rightly explains
to be "the dark-coloured stone or marble, anciently used for tombstones. A
musical sound" (it is added) "may be produced by touching it sharply with a
stick." And this is in fact the reason for its name. The author of the
_Glossary of Architecture_ cites _Ben Jonson_ by Gifford, viii. 251., and
_Archæol._, xvi. 84.
ALPHAGE.
Lincoln's Inn.
{83}
Public-domain text, read in full here on John Shaqi.
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