Notes and Queries, Number 172, February 12, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. — John Shaqi
Notes and Queries, Number 172, February 12, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Number 172, February 12, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
I concur with Mr. Lodge. The style of the letter is quite modern: the verb
"bully" seems also quite a modern coinage and the signature varies from the
usual setting forth and sequence of titles contained in the inscriptions
which the Countess placed over the gateways of her castles, as she repaired
them, and which ran thus, the peerages being placed in the order of their
creation, viz.: "Countess Dowager of Pembroke, Dorset, and Montgomery." In
support of the genuineness of the letter, it may be urged that Sir Joseph
Williamson, from an early period after the Restoration until 1674, when he
became Secretary of State, held various offices about the Court that might
have thus brought him into collision with the Countess; that he was not a
very scrupulous man; that he was the "son of a clergyman somewhere in
_Cumberland_;" and that his highest promotion took place before the death
of the Countess in 1675. (For some account of him, see Evelyn's _Memoirs_,
Index.) To this it may be added, that the letter accords with her
courageous spirit. Can no earlier authority be given for it than that of
_The World_ in 1753?
J. K.
[Although this subject has been already briefly discussed in our
columns (see Vol. i., pp. 28. 119. 154.), we think it of sufficient
interest to be renewed, now that our increased circulation will bring
it under the notice of so many more readers; among whom, {155} perhaps
one may be found in a position to solve the mystery in which the
authenticity of this oft-quoted letter is at present involved.]
* * * * *
Minor Queries.
_Mediæval Parchment._--In what way did mediæval illuminators prepare their
parchment? For our modern parchment is so ill prepared, that it gets
crumpled as soon as wet chalk for gilding, or any colour, is laid on it;
whilst the parchment in mediæval MSS. is quite smooth and level, as if it
had not been moistened at all.
Should a full answer to this Query take up too much of your valuable space,
I should be satisfied with the titles of any works on the art of
"illumination," in which special mention is made of the way of preparing
parchment.
F. M. (A Maltese.)
"_Mater ait natæ._"--Where can the following lines, thus "Englished by
Hakewill," be found?
"Mater ait natæ, dic natæ, filiâ, natam
Ut moneat natæ plangere[2] filiolam."
"The aged mother to her daughter spake,
Daughter, said she, arise;
Thy daughter to her daughter take,
Whose daughter's daughter cries."
My object in asking the above question is for the purpose of discovering if
such a relationship ever existed.
W. W.
Malta.
[Footnote 2: "plangere" corrected from "piangere".--Transcriber.]
Public-domain text, read in full here on John Shaqi.
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