Notes and Queries, Number 172, February 12, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. — John Shaqi
Notes and Queries, Number 172, February 12, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Number 172, February 12, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
The Saints Philip and Thomas placed upwards
are by the egregious Pompeo Marchesi ... the second is by Ribossi,
representing Absatom suspended by his hair to a tree and pierced
through by Jacob."
In describing the interior, "G. P." is rather more instructive, but not
quite so entertaining: however, a number of the peculiar expressions
already quoted are repeated with the same confiding simplicity. A few
extracts will suffice for this portion:
"The ornaments of the five doors are the designment of Fabio Mangone,
... the surprising vault a _chiaro-scuro_, drawn and painted in part by
our milanese Felice Alberti, who in the year 1827 was ravished from the
living by a fatal misfortune in the flower of his age ... in the inward
columns on both sides are two very fine Statues sitting in a very
melancholy action, which represent military Peace and Virtue ... under
the tomb-stone is another small and genteel Bass-Rilief representing
the Saviour afflicted, sustained by two little Angels.... The Altar of
Santa Tecla, which is part of the left arm of the cross, or form of the
Church, as is mentioned above, representing the Saint in a seraglio of
wild beasts, is by the Sculptor Carlo Beretta."
Lest I should have exhausted your patience, as well as that of your
readers, I will close with one more quotation, which displays what Mrs.
Malaprop calls "a nice derangement of epitaphs:"
"The last altar that was seen not long since on this side was dedicated
to the Blessed Virgin, whose image carved in wood dated a remote
antiquity, but as to the remnant nothing was found to be appreciable in
sort of art."
A. R. X.
Paisley.
* * * * *
ST. NICHOLAS CHURCH, BRIGHTON.
In matters touching the public weal, the Editor of "N. & Q." always finds
space for his correspondents: a few lines are asked for the present
subject, as being one on which his pages have already been earnestly
devoted.
The rebuilding of Brighton old church has been announced, and those who
have frequented the salubrious breezes of that unequalled marine residence
have often enjoyed the commanding view of the town and noble sea, which is
obtained from the hill on which this venerable fabric stands, and which is
about to disappear and perhaps "leave not a wreck behind."
The church is literally lined and flagged with monuments of the dead, more
or less noted; but all of whom have passed through the stage of this life
away from their native localities, and many falling where they went to seek
in vain renovated health.
Public-domain text, read in full here on John Shaqi.
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