Notes and Queries, Number 173, February 19, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Number 173, February 19, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
The Christian name of _Murray of Broughton_ was not _James_, but _John_;
and the ancient Border family to which he belonged was so distinctly
connected with that of Stormont (a branch of Tullibardine), that even
genealogical tradition was silent. His activity as an agent recommended him
to Prince Charles, who employed him as his secretary during the campaign of
1745, to the misfortunes of which he added by fomenting the Prince's
distrust of Lord George Murray: and his final treachery to his master and
his cause has condemned him to an immortality of infamy. He had nothing in
common with "James Earl of Dunbar," save the name which he disgraced and
the cause which he betrayed.
James Murray, second son of Lord Stormont, and elder brother of the famous
Lord Mansfield, escaped to the court of the exiled Stuarts after 1715. He
became governor to the prince; and under the title of Earl of Dunbar, chief
minister and secretary to his father. He never returned to Scotland, but
died in 1770 at Avignon, at the age of eighty. His honorable fidelity to a
ruined cause is admitted even by Junius, when, "willing to wound," he
taunts Mansfield with this Jacobite connexion; while the intensity of
loathing with which Scotland viewed his infamous namesake is illustrated by
the anecdote of old Walter Scott throwing the cup out of the window, lest
"lip of him, or his, should come after John Murray of Broughton."
D. B.
Balfour.
_Loggerheads_ (Vol. v., p. 338.).--As I do not find that any correspondent
of "N. & Q." on the subject of the sign of "We Three" has mentioned the
existence of a similar sign in a small village in Denbighshire, on the
border of Flintshire, to which a curious tradition is attached, I am
induced to forward the account of it. The last years of Wilson, the
landscape painter (who died in 1782), were passed at a house called
Clomendu, the dove-cote, situated on a property to which he had succeeded
in the little village of Llanoerris, through which the high road from Mold,
his burial-place, to Ruthin passes. Wilson was fond of ale, and is {193}
traditionally said to have frequented a small inn close by the roadside (on
the right hand as you pass through the village from Mold towards the vale
of Clwyd), and to have spent many an hour upon the bench under a tree which
was lately, and is perhaps still standing opposite. His friend the
landlord, wanting a new sign, or more probably a restoration of the old
established one, Wilson painted for him the heads of two very merry
red-faced men, who are looking hard, with a broad grin, towards the
spectator. Long exposure to the wind and weather had, when I saw them,
nearly obliterated the original colouring of the heads, and I have heard
that some Dick Tinto has of late years restored the rubicund hue to their
cheeks: but the words "We Three Loggerheads Be" were quite legible ten
years ago. The innkeeper, who sets a very high value on this sign, is, I
believe, a son of the man for whom Wilson painted it.
Public-domain text, read in full here on John Shaqi.
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