Notes and Queries, Number 175, March 5, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Number 175, March 5, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
_Wards of the Crown._--I find the origin of this ancient prerogative of
royalty thus quaintly explained at p. 132. of King's _Vale Royall of
England_, 1656. Hugh Lupus, first Norman Earl of Chester, and nephew of the
Conqueror, at his death in 1101, left his son
"Richard, then an infant of seven years of age, entituled then to his
Earldome of Chester, and _married_ to Matilda, daughter to Stephen,
Earl of Blois. And this Matilda was niece to King Henry I., by reason
whereof the said king took into his tuition and custody the said young
earl; from whence, they say, this of a custome grew to be a law, that
young heirs in their nonage became pupils, or _wards_, unto the king. A
very tender care had this king over this princely child, and brought
him up in the company of his own children, with whom he sent him into
Normandy, and with them there provided the most princely and best
education for them."
Their after-history is well known. Having duly arrived at man's estate,
these promising young princes and their companion, Richard, the royal ward,
were sent for from Normandy by the affectionate king, whence, taking ship
at Harfleur, they set sail for England; but, through some mismanagement,
the vessel striking upon a rock, the entire company perished except one
butcher, who, by the help of a mast, swam safe to land. This tragedy
happened about December 7, 1120.
I believe this to be the first instance recorded in English history of a
ward to the king, but shall be happy to receive correction from any
better-informed correspondent of "N. & Q."
T. HUGHES.
Chester.
_Tate, an Artist._--A friend of mine has a very fine family portrait, very
much admired by judges, and generally ascribed to Reynolds, whose style it
greatly resembles. But I believe it has with some confidence been stated to
be the work of a pupil of Sir Joshua's, named Tate. The picture is about
seventy years old. Would you, or any of your readers, kindly inform me
whether an artist of that name lived at that time, and whether he was a
pupil of Sir Joshua Reynolds?
A. W.
Kilburn.
_Philip d'Auvergne._--
"On the 12th of March, 1792, the King of Great Britain granted to
Captain Philip d'Auvergne, R. N., his licence to accept the succession
to the said duchy (Bouillon), in case of the death of the hereditary
prince, only son of the reigning duke, without issue male, pursuant to
a declaration of his Serene Highness, dated June 25th, 1791, at the
desire, and with the express and formal consent of the nation."
I find this in Brooke's _Gazetteer_, under the heading of "Bouillon." Can
any of your correspondents give a further account of Captain d'Auvergne? I
suppose the troubles consequent upon the French Revolution would prevent
his accession to the duchy, even if he survived the hereditary prince?
E. H. A.
Public-domain text, read in full here on John Shaqi.
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