Notes and Queries, Number 175, March 5, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Number 175, March 5, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
_Ethnology of England_ (Vol. vii., p. 135.).--In reference to that portion
of the Query by ETHNOLOGICUS which asks "Whether it is yet clearly settled
that there are types of the heads of Ancient Britons, Saxons, Danes, and
other races, to be referred to as standards or examples of the respective
crania of those people?" I beg to say that beneath the chancel of the
church of St. Leonard, Hythe, there is a crypt containing a vast number of
skulls and other human bones, which, according to Jeake, the historian of
the Cinque Ports, are--
"Supposed by some to be gathered at the shore after a great sea-fight
and slaughter of the French and English on that coast; whose carcases,
or their bones, after the consumption of the flesh, might be cast up
there, and so gathered and reserved for memorandum."
Speaking of these relics, Walker, in his _Physiology_, says:
"These skulls at Hythe are not of one race, either Saxon or British,
but of several; two forms of skull, very distinct from each other,
predominate: one, a long narrow skull, greatly resembling the Celtic of
the present day; the other, a short broad skull, greatly resembling the
Gothic.... Another kind of skulls, fewer in number, are evidently Roman
skulls."
ROBERT WRIGHT.
_Drake the Artist_ (Vol. vi., p. 555.).--Searching a series of catalogues
of the Society of Artists of Great Britain, from 1760 to 1780, I find that
Mr. Drake at York, F.S.A. (Fellow of that Society), in 1773 exhibited at
their New Room, near Exeter Change in the Strand,--
No. 89. "A Family IN LITTLE."
Is this to be interpreted by Hamlet's sarcasm upon the sycophants of his
uncle's court, who paid "Forty, fifty, nay, one hundred ducats, for his
portrait _in little_?" Small full-lengths were in vogue at the period, but
our Yorkist has a delicate diminutive of his own. Again, in 1775, we have
three works of Drake--
72. "View of a Gentleman's Seat in Yorkshire, with two Gentlemen going out
a-hawking."
73. "Sacarissa with Amoret and Musidora." From Thomson's _Seasons_, 4to.
edition, 1730.
74. "A Winter Piece."
And in 1776:
23. "A Madonna and Child." Mr Drake, F.S.A., York.
There is _no_ trace of him at the Royal Academy. Thus we have him in
portraiture, in landscape, in sacred history, and in the poetical
imaginative. This is beyond what G. reckons upon; and now, having
contributed thus much, I hope some of your readers may assist in carrying
the inquiry further.
J. H. A.
_Sparse_ (Vol. vi., p. 554.; Vol. vii., p. 51.), said to be an
Americanism.--I have in my possession an edition, printed in 1611, of the
_Whole Book of Psalms, collected into English Metre_, by Thomas Sternhold,
John Hopkins, and others. In the paraphrase of Psalm xliv. v. 10. is the
following:
"Thou madest us fly before our foes,
And so were overtrod.
Our enemies rob'd and spoyl'd our goods
When we were _sparst_ abroad."
Public-domain text, read in full here on John Shaqi.
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