Notes and Queries, Number 199, August 20, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Geneologists, etc. — John Shaqi
Notes and Queries, Number 199, August 20, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Geneologists, etc.Various
History
Notes and Queries, Number 199, August 20, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Geneologists, etc.
Various
Questions and answers -- Periodicals
The title-page is adorned with emblematical figures. The work contains
a portrait of the author, and fifty emblems executed with much spirit.
Amongst others we have a Salamander in the fire, a green lion, a
hermaphrodite, a dragon, &c. Every right page has a motto, an emblem, and
an epigram under the emblem in Latin. The left page gives the same in
German, with the Latin words set to music. After each emblem we have a
"Discursus."
The following remarks on the title occur in the preface:
"Atalanta Poëtis celebrata est propter fugam, qua omnes procos
in certamine antevertit, ideoque ipsis victis pro Virgine,
præmio Victoriæ proposito, mors obtigit, donec ab Hippomene,
Juvene audaciore et provido, superata et obtenta sit trium
malorum aureorum per Vices inter currendum objectu, quæ dum
illa tolleret, præventa est ab eo, metam jam attingente: Hæc
Atalanta ut fugit, sic una vox musicalis semper fugit ante
aliam et altera insequitur, ut Hippomenes: In tertia tamen
stabiliuntur et firmantur, quæ simplex est et unius valoris,
tanquam malo aureo: Hæc eadem virgo merè chymica est, nempe
Mercurius philosophicus a sulfure aureo in fuga fixatus et
retentus, quem si quis sistere noverit, sponsam, quam ambit,
habebit, sin minus, perditionem suarum rerum est interitum,"
&c.--Page 9.
[Footnote 4: The Jewish speculations on the subject of
elemental spirits and angels (especially those that assumed
corporeal forms, and united themselves with the daughters
of men) were largely drawn on by the Rosicrucians. (See the
famous _Liber Zohar_, Sulzbaci, 1684, fol.; and Philo, _Lib. de
Gigantibus_. See also Hoornbeek, _Lib. pro Convert. Jud._, Lug.
Bat., 1665, 4to.)]
* * * * *
SEARSON'S POEMS.
(Vol. vii., p. 131.)
John Searson was a merchant in Philadelphia in the year 1766. A few days
before seeing the inquiry respecting him, I came across his advertisement
in the _Pennsylvania Gazette_; but not having made a note of the date, I
have since been unable to find it. His stock was of a very miscellaneous
character, as "Bibles and warming pans," "spelling-books and swords,"
figured in it in juxtaposition. He taught school at one time in Basking
Ridge, New Jersey.
A copy of his poem on "Down Hill" is before me; and it is quite as
curious a production as the volume of poems which he afterwards published.
He describes himself in the title-page as "Late Master of the Free School
in Colerain, and formerly of New York, Merchant." The volume was printed
in 1794 by subscription at Colerain.
The work is introduced by "A Poem, being a Cursory View of Belfast Town,"
thus commencing:
Public-domain text, read in full here on John Shaqi.
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