Notes and Queries, Number 206, October 8, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Number 206, October 8, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
MERRITT will object that an erroneous effect is produced; if he will refer
to my statement (Vol. viii., p. 228.), he will find that it is precisely
what I admitted; and he appears to have overlooked the _proviso_ attached
to my next observation (judging by his comment thereon), so I shall make no
farther remark upon that point, beyond inquiring why the defect he is
content to put up with is called a _trifling exaggeration_, while that
which is less offensive to me is designated as _absolute deformity_ and
error? Persons with one eye are _not good judges_ of distance, and this may
be easily tested thus:--Close one eye, and endeavour to dip a pen in an
inkstand at some little distance not previously ascertained by experiment,
with both eyes open; it will be found far less easy than would be imagined.
One-eyed people, from habit, contrive to judge of distance mainly by
_relative position_, and by moving the head _laterally_ cause a change
therein: to them, all pictures are, to an extent, stereoscopic.
I am really amazed that my advocacy of the radial, instead of the parallel,
position of the cameras should have been so misunderstood. Surely, it
cannot be seriously asserted that the former will produce _two_ vanishing
points, and the latter only one? And as to the supposition connected with
the boy, the ass, and the drum, a camera that would produce the effect of
showing both sides of the ass, both legs of the boy, and both heads of the
drum, _with a movement of only 2-1/2 inches_, whether radially or parallel,
would indeed be a curiosity. But if the motion of the camera extended over
a space sufficiently large to exhibit the phenomena alluded to, then it
would confirm what I have before advanced, viz. present the idea of a
_small model_ of the objects, which could be so placed as to show naturally
these very effects.
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