Notes and Queries, Number 207, October 15, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Number 207, October 15, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
C. MANSFIELD INGLEBY.
Birmingham.
_Detached Church Towers_ (Vol. vii. _passim_; Vol. viii., p. 63.).--At
Morpeth, in Northumberland, the old parish church stands on an eminence at
the distance of a mile from the town. In the market-place is a square clock
tower, the bells in which are used for ordinary parochial purposes.
At Kirkoswald, in Cumberland, where the church stands low, the belfry has
been erected on an adjoining hill.
E. H. A.
_Bishop Ferrar_ (Vol. viii., p. 103.).--Bishop Ferrar, martyred in Queen
Mary's reign, was not of the same family with the Ferrers, Earl of Derby
and Nottingham. Was your correspondent led to think so from the fact of the
martyr having been originally a bishop of the Isle of Man?
A LINEAL DESCENDANT OF THE MARTYR.
Cambridge.
"_They shot him by the nine stone rig_" (Vol. viii., p. 78.).--This
fragmentary ballad is to be found in the _Border Minstrelsy_. It was
contributed by R. Surtees of Mainsforth, co. Durham, and described by him
as having been taken down from the recitation of Anne Douglas, an old woman
who weeded in his garden. It is however most likely that it is altogether
factitious, and Mr. Surtees' own production, Anne Douglas being a pure
invention.
The ballad called "The Fray of Haltwhistle," a portion of which, "How the
Thirlwalls and the Ridleys a'," &c., is interwoven with the text in the
first canto of _Marmion_, is generally understood to have been composed by
Mr. Surtees. He, however, succeeded in palming it upon Scott as a genuine
old ballad; and states that he had it from the recitation of an ancient
dame, mother of one of the miners of Alston Moor. Scott's taste for old
legends and ballads was certainly not too discriminating, or he would never
have swallowed "The Fray of Haltwhistle." Perhaps he suspected its
authenticity, for he says of it:
"Scantily Lord Marmion's ear could brook
The harper's barbarous lay."
T. D. RIDLEY.
_Punning Devices_ (Vol. viii., p. 270.).--In the 4th volume of Surtees'
_History of Durham_, p. 48., there is an account of the Orchard Chamber in
Sledwish Hall:
"In the centre is a shield of the arms of Clopton; being two coats
quarterly, a lion rampant and a cross _pattee fitchee_; over all, a
crescent for difference.[1] On two other shields, impressed from one
mould, are the initials E. C., the date 1584, and a _tun_ with a rose
_clapt on_."[2]
OLD GRUMBLEUM.
[Footnote 1: This note says the arms are reversed, being impressed from a
mould.]
[Footnote 2: "The crest of Clopton is a falcon _clapping_ his wings, and
rising from a tun; and I verily believe the rose _clapt on_ to be the
miserable quibble intended."]
_Ashman's Park_--_Wingfield's Portrait_ (Vol. viii., p. 299.).-Could any
correspondent in Suffolk inform me if Ashman's Park has been sold; and if
the pictures are anywhere to be found, especially that of Sir Anthony
Wingfield? The communication of H. C. K. relative to the above subject is
very interesting.
Q.
Public-domain text, read in full here on John Shaqi.
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