Notes and Queries, Number 210, November 5, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. — John Shaqi
Notes and Queries, Number 210, November 5, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Number 210, November 5, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
Some of the cuts are very curious, as No. 16., which represents the Devil
(adorned with a crown, sceptre, and tail) standing on the top of a high
conical rock, and our Blessed Lord at a little distance from him. The
appearance and attitude of the Apostles are somewhat grotesque. One of the
best is St. Philip (No. 39.), who is represented as a wrinkled, bearded old
man, contemplating a crucifix in his hand.
No. 51. is a picture of Guy Fawkes approaching the Parliament House, with a
lantern in his hand. A large eye is depicted in the clouds above, which
sheds a stream of light on the hand of the conspirator. No. 52. is "The
Martyrdom of King Charles I." No. 53. "The Restoration of Monarchy and King
Charles II." A number of cavaliers on horseback, with their conical hats
and long tresses, occupy the foreground of this picture; the army appears
in the background. This is the last, though the scroll advertises
fifty-five cuts.
The Prefaces and Calendar are printed in very small bad type. The four
State Services are enumerated in the Table of Contents. After the State
Services follow, "At the Healing;" the Thirty-nine Articles, and a Table of
Kindred and Affinity. This edition neither contains the Ordinal nor a
metrical version of the Psalms. Notwithstanding the date on the title-page,
_King George_ is prayed for throughout the book, except in the service "For
the Eighth Day of March," when Queen Anne's name occurs.
Of the modern pictorial editions of the Book of Common Prayer may be
mentioned that of Charles Knight "illustrated by nearly seven hundred
beautiful woodcuts by Jackson, from drawings by Harvey, and six illuminated
titles; with Explanatory Notes by the Rev. H. Stebbing," royal 8vo.,
London, 1838; reprinted in 1846. That of Murray, "illuminated by Owen
Jones, and illustrated with engravings from the works of the great
masters," royal 8vo., London, 1845; reprinted in 1850 in med. 8vo. That of
Whittaker in 12mo. and 8vo., "with notes and illuminations." The last, and
by far the best, pictorial edition is that of J. H. Parker of Oxford, "with
fifty illustrations; selected from the finest examples of the early Italian
and modern German schools, by the Rev. H. J. Rose and Rev. J. W. Burgon."
JARLTZBERG.
* * * * *
YEW-TREES IN CHURCHYARDS.
(Vol. viii., p. 346.)
This has long been to me a vexed question, and I fear that none of your
correspondents have given a satisfactory answer.
I have seen in London sprigs of yew and palm willow offered for sale before
Palm Sunday. At this period they may, I think, be always found in Covent
Garden Market. I saw them last year also in the greengrocers' shops at
Brighton. To me these are evident traces of an old custom of using the yew
as well as the willow. The origin is to be found in the Jewish custom of
carrying "branches of palm-trees, and boughs of _thick trees_, and willows
from the brook" (Leviticus xxiii. 39, 40.).
Public-domain text, read in full here on John Shaqi.
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