It is not to defend Luther, but to point out a defect in his teaching, as it is regarded by the adherents of other Protestant churches, that Dr. Maclaine has said, in his note on Book IV. ch. i. Sec. 18. of Mosheim: "It is evident, from several passages in the writings of Luther, that he was by no means averse to the use of images, but that, on the contrary, he looked upon them as adapted to excite and animate the devotion of the people." Mosheim, and Merle D'Aubigne, and probably any other historian of the Reformation in Germany, may be cited as witnesses for the notorious fact, that Carlstadt excited the citizens of Wittemberg to break the images in their churches when Luther was concealed in the Castle of Wartburg, and that he rebuked and checked these proceedings on his return. See Mosheim, as cited before, or D'Aubigne, book IX. ch. vii. and viii. H. W. _Rev. Urban Vigors_ (Vol. viii., p. 340.).--My great-great-grandmother was a sister of Bishop Vigors, who was consecrated to the see of Leighlin and Ferns, March 8, 1690. He, I know, was a near relative of the Rev. Urban Vigors. An Urban Vigors of Ballycormack, co. Wexford, also married my great-great-aunt, a Miss Thomas, sister of Vigors Thomas, Esq., of Limerick. I should, equally with your correspondent Y. S. M., wish to know any particulars of the "Vigors" family; and should be delighted to enter into correspondence with him. W. SLOANE SLOANE-EVANS. Cornworthy Vicarage, Totnes. _Portrait of Baretti_ (Vol. VIII., p. 411.).--In reply to MR. G. R. CORNER'S Query regarding Sir Joshua Reynolds' picture of Baretti, I can give him the information he requires. This very interesting portrait is now at my brother's, Holland House, Kensington. My late father, Lord Holland, had a pretty picture of the late Lord Hertford's mother (I believe), or some near relation of his. Not being connected with that family, my father offered it to Lord Hertford, leaving it to his lordship to give him such picture as he might choose in exchange. Some time afterwards this portrait of Baretti was sent, and was much prized and admired. It represents Baretti reading a small book, which he holds close to his face with both hands; he is in a white coat, and the whole carries with it a certainty of resemblance. This occurred about twenty-five years ago. Perhaps it may interest your readers to learn that our distinguished {478} painter, Watts, painted for my brother, Lord Holland, a portrait of another distinguished Italian, Mr. Panizzi, and pendant to the former. He is represented leaning forward and writing, and the likeness is very striking. C. FOX. Addison Road. _Passage in Sophocles._--In Vol. viii., p. 73., appears an article by MR. BUCKTON, in which he quotes the following conclusion of a passage in Sophocles: "[Greek: Hotoi phrenas] [Greek: Theos agei pros atan;] [Greek: Prassein d' oligoston chronon ektos atas.]"