Notes and Queries, Number 212, November 19, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
Religion
Notes and Queries, Number 212, November 19, 1853: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
PHOTOGRAPHIC CORRESPONDENCE:--Clouds in Photographs
--Albumenized Paper--Stereoscopic Angles
--Photographic Copies of MSS. 501
REPLIES TO MINOR QUERIES:--Lord Cecil's "Memorials"
--Foreign Medical Education--Encyclopaedias
--Pepys's Grammar--"Antiquitas Saeculi Juventus
Mundi"--Napoleon's Spelling--Black as a mourning
Colour--Chanting of Jurors--Aldress--Huggins
and Muggins--Camera Lucida--"When Orpheus
went down"--The Arms of De Sissone--Oaths of
Pregnant Women--Lepel's Regiment--Editions of
the Prayer Book prior to 1662--Creole--Daughter
pronounced "Dafter"--Richard Geering--Island 502
MISCELLANEOUS:--
Books and Odd Volumes wanted 505
Notices to Correspondents 505
Advertisements 505
* * * * *
Notes.
PARTY-SIMILES OF THE SEVENTEENTH CENTURY--NO. I. "FOXES AND FIREBRANDS."
NO. II. "THE TROJAN HORSE."
With Englishmen, at least, the seventeenth was a century pre-eminent for
quaint conceits and fantastic similes: the literature of that period,
whether devotional, poetical, or polemical[1], was alike infected with the
universal mania for strained metaphors, and men vied with each other in
giving extraordinary titles to books, and making the {486} contents justify
the title. Extravagance and the far-fetched were the gauge of wit: Donne,
Herbert, and many a man of genius foundered on this rock, as well as
Cowley, who acted up to his own definition:
"In a true Piece of Wit _all things_ must be,
Yet all things there agree;
As in the _Ark_, join'd without force or strife,
All creatures dwelt--all creatures that had life."
It is not, however, for the purpose of illustrating this mania that I am
about to dwell on the two similes which form the subject of my present
Note: I selected them as favourite party-similes which formed a standing
dish for old Anglican writers; and also because they throw light on the
history of religious party in England, and thus form a suitable supplement
to my article on "High Church and Low Church" (Vol. viii., p. 117.).
As the object of the Church of England, in separating from Rome, was the
_reformation_, not the _destruction_ of her former faith, by the very act
of reformation she found herself opposed to two bodies; namely, _that_ from
which she separated, and the ultra-reformers or Puritans, who clamoured for
a _radical_ reformation.
Taking these as the Scylla and Charybdis--the two extremes to be
avoided--the Anglican Church hoped to attain the safe and golden mean by
steering between these opposites, and find, in this _via media_ course, the
path of truth.
Public-domain text, read in full here on John Shaqi.
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