Notes and Queries, Number 226, February 25, 1854: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. — John Shaqi
Notes and Queries, Number 226, February 25, 1854: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Number 226, February 25, 1854: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
_Reprints suggested._--As you have opened a list of suggested reprints in
the pages of "N. & Q.," may I be allowed to remark that some of Peter
Heylin's works would be well worth reprinting.
There is a work of which few know the value, but yet a work of the greatest
importance, I mean Dr. O'Connor's _Letters of Columbanus_. A carefully
edited and well annotated edition of this scarce work would prove of
greater value than any reprint I can think of.
MARICONDA.
* * * * *
Queries.
PICTURES FROM LORD VANE'S COLLECTION.
My family became possessed of six fine portraits at the death of Lord Vane,
husband to that lady of unenviable notoriety, a sketch of whose life
(presented by her own hand to the author) is inserted, under the title
"Adventures of a Lady of Quality," in _Peregrine Pickle_. I quote from my
{172} relation who knew the facts.[2] Lord Vane was the last of his race,
and died at Fairlawn, Kent, probably about the latter half of the last
century.[3] The successor to his fortune selected a few pictures, and left
the remaining, of which mine formed a part, to his principal agent.
Amateurs say they are by Sir Peter Lely: a fact I should be glad to
establish. I have searched Windsor Castle, Hampton Court, and Knowle Park
collections in vain for duplicates.
No. 1. is a young man in what appears to be a court dress, exhibiting
armour beneath the folds of the drapery. Point lace neck-tie. 2. Do., in
brocaded silk and fringed dress. Point lace neck-tie and ruffles. A spaniel
introduced, climbing up his knee. 3. A youth sitting under a tree, with pet
lamb. Point lace neck-tie and ruffles, but of simple dress. 4. A lady in
flowing drapery. Pearls in her hair and round her neck, sitting under a
tree. An orange blossom in her hand. 5. A lady seated in an apartment with
marble columns. Costume similar to No. 4, minus the pearls in the hair. A
kind of wreath in her hand. 6. A lady in simple, flowing drapery, without
jewellery, save a broach or clasp on her left shoulder; holding a flower in
her right hand. In all, the background is _very dark_, but trees and
buildings can be traced through the gloom. The hands are models, and
_beautifully painted_. Size of pictures, divested of their carved and gilt
frames, four feet two inches by three feet four inches. If any of your
readers can, from this description, give me any clue to the name of the
artist, it will greatly oblige and be duly appreciated by an elderly
spinster.
S. D.
[Footnote 2: [A correspondent in the _Gentleman's Magazine_ for May, 1789,
p. 403., who was intimately acquainted with Lord and Lady Vane, states that
"though Dr. Smollet was as willing as he was able to embellish his works
with stories marvellous, yet he did not dress up Lady Vane's story of her
Lord. She wrote it as well as she could herself, and Dr. Shebbeare put it
in its present form at her ladyship's request."]
Public-domain text, read in full here on John Shaqi.
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