Notes and Queries, Number 228, March 11, 1854: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. — John Shaqi
Notes and Queries, Number 228, March 11, 1854: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Number 228, March 11, 1854: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
This Colonel Hill, generally known as Colonel Edward Hill the Elder, a
gentleman of great wealth, built the mansion at Shirley, where his
portrait, brought from England, hangs in the same place, in the same hall
in which he had it put up. It represents a youth in pastoral costume, crook
in hand, flocks in the background. By a comparison of dates, C. will find
it possible for Vandyke to have painted it. (See Bryan's _Engravers and
Painters_.) It has descended, along with the estate, to his lineal
representative, the present owner. Its authenticity rests upon _tradition_
coupled with the foregoing facts, as far as I know (though the family may
have abundant documentary proof), and I doubt very much whether many
"Vandykes in England" are better ascertained. I would add that several
English gentlemen, among them, as I have heard, a distinguished ambassador
recently in this country, recognised it as a Vandyke. This picture, amongst
others, was injured by the balls fired from the vessels which ascended the
James river, under command of General Arnold, then a British officer. On
the younger Mr. Hill's tomb at Shirley is a coat of arms, a copy of which,
had I one to send, would probably point out his family in England.[2]
As to Colonel Byrd's portrait. There were, I believe, three gentlemen of
this name and title, more or less confounded in reputation, the second of
whom, generally known as "Colonel Byrd the Elder," by reason of his son's
history, was born in 1674. The picture is of his _father_, that is, of
"old," or "the first Colonel Byrd," and is in the same style as that of
Colonel Hill's, representing a shepherd lad. He was an English gentleman of
great wealth, and certainly of some benevolence. In Campbell's _Virginia_,
p. 104. (see also Oldmixon, vol. i. p. 427.), it is stated, 1690, a large
body of Huguenots were sent to Virginia. "The refugees found in Colonel
Byrd, of Westover, a generous benefactor. Each settler was allowed a strip
of land running back from the river to the foot of the hill (Henrico
County). Here they raised cattle," &c. He sent his son to England to be
educated under the care of a friend, Sir Robert Southwell. The son became a
Fellow of the Royal Society, "was the intimate and bosom friend of the
learned and illustrious Charles Boyle, Earl of Orrery," was the author of
the _Westover MSS._ (mentioned in Oldmixon's preface, 2nd ed.), portions of
which, "Progress to the Mines," "History of the Dividing Line," &c., have
been printed, others are in the library of the American Philosophical
Society.[3] His portrait is "by Kneller, a fine old cavalier face," says
Campbell. The letters received at Westover might prove not uninteresting
even to C., seeing that there were so many titled people among the writers;
and to a gentleman of education and intelligence, the Westover library
would have been a treasure-house. In the Loganian Library in this city is a
large MS. folio, whose title-page declares it to be "a catalogue of books
Public-domain text, read in full here on John Shaqi.
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