Notes and Queries, Number 239, May 27, 1854: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Number 239, May 27, 1854: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
[Our correspondent is probably not aware that Brand, in his _Popular
Antiquities_, vol. i. pp. 457-461. (Bohn's edit.), has devoted a
chapter to this term. Among other conjectural etymologies he adds the
following: "We read in the _Scotch Presbyterian Eloquence Displayed_,
that it is ordinary among some plebeians in the South of Scotland to go
about from door to door on New Year's Eve, crying _Hagmena_, a
corrupted word from the Greek [Greek: agia mênê] _i. e._ holy month.
John Dixon, holding forth against this custom once, in a sermon at
Kelso, says: 'Sirs, do you know what hagmane signifies? It is, _the
devil be in the house!_ that's the meaning of its _Hebrew_ original,'
p. 102. Bourne agrees in the derivation of Hagmena given in the _Scotch
Presbyterian Eloquence Displayed_. 'Angli,' says Hospinian,
'_Haleg-monath_, quasi sacrum mensem vocant.' _De Origine Ethn._, p.
81." See also an ingenious essay on Hagmena in the _Caledonian Mercury_
for Jan. 2, 1792, from which the most important parts have been
extracted by Dr. Jamieson in his art. "Hogmanay."]
_Longfellow's "Hyperion."_--Can any of your readers tell me why that
magnificent work of Longfellow's, which though in prose contains more real
poetry than nine-tenths of the volumes of verse now published, is called
_Hyperion_?
MORDAN GILLOTT.
[Hyperion is an epithet applied to Apollo, and is used by Shakspeare,
_Hamlet_, Act I. Sc. 2.:
"Hyperion to a satyr."
Warburton says, "This similitude at first sight seems to be a little
far-fetched, but it has an exquisite beauty. By the satyr is meant Pan,
as by Hyperion _Apollo_. Pan and Apollo were brothers, and the allusion
is to the contention between those gods for the preference in music."
Steevens, on the other hand, believes that Shakspeare "has no allusion
in the present instance, except to the beauty of Apollo, and its
immediate opposite, the deformity of a satyr." Hyperion or Apollo is
represented in all the ancient statues as exquisitely beautiful, the
satyrs hideously ugly.]
_Sir Hugh Myddelton._--Where was Sir Hugh Myddleton buried? and has a
monument been erected to his memory? I have searched several encyclopædias
and other works, but they make no mention of his place of sepulture.
Hughson, I think, states it to be St. Matthew's, Friday Street; but I
believe this is not correct.
J. O. W.
[There is a statue of Sir Hugh Myddelton, by Carew, in the New Royal
Exchange. See Cunningham's _Handbook of London_, from which work we
learn (p. 327.) that "the register of St. Matthew's, Friday Street,
abounds in entries relating to the family of Sir Hugh Myddleton."
Cunningham does not mention his burial-place; but in the pedigree of
the family given in Lewis's _History of Islington_, it is stated that
he was buried in the churchyard of St. Matthew, London.]
Public-domain text, read in full here on John Shaqi.
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