Notes and Queries, Number 242, June 17, 1854: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. — John Shaqi
Notes and Queries, Number 242, June 17, 1854: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Number 242, June 17, 1854: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
"The writer of the paper in the _Edinburgh_ says:--'Had the necklace
been still extant, the preference would have been due to Littlecot.'
The necklace is still extant, in the possession of a member of my
family, and in the house whence I write. In Illingworth's
_Topographical Account of Scampton, with Anecdotes of the Family of
Bolles_, it is stated: 'The portrait of Sir John, drawn in 1596, at the
age of thirty-six years, having on the gold chain given him by the
Spanish Lady, &c., is still in the possession of his descendant, Capt.
Birch.'
"That portrait is now in the possession of Capt. Birch's successor,
Thomas Bosvile Bosvile, Esq., of Ravensfield Park, Yorkshire, my
brother, and may be seen by any one. I will only add another extract
from Illingworth's _Scampton_:--'On Sir John Bolle's departure from
Cadiz, the Spanish Lady sent as presents to his wife, a profusion of
jewels and other valuables, amongst which was her portrait drawn in
green; plate, money, and other treasure. Some articles are still in
possession of the family; though her picture was unfortunately, and by
accident, disposed of about half a century since. This portrait being
drawn in green, gave occasion to her being called, in the neighbourhood
of Thorpe Hall, the Green Lady; where, to this day, there is a
traditionary superstition among the vulgar, that Thorpe Hall was
haunted by the Green Lady, who used nightly to take her seat in a
particular tree near the mansion.' In Illingworth there is a long and
full account of the Spanish Lady, and the ballad is given at length."
EDWARD F. RIMBAULT.
_Niagara_ (Vol. vii., pp. 50. 137.).--Let me add one other authority of
comparatively recent date on Goldsmith's side of the _vexata quæstio_,
about the pronunciation of this name:
"And we'd take verses out to Demerara,
To New South Wales, and up to Niagara."
Proëme to _The Monks and the Giants_, by
William and Robert Whistlecraft, _i. e._
John Hookham Frere.
BALLIOLENSIS.
_Hymn attributed to Handel_ (Vol. ix., p. 303.).--I do not understand
whether MR. STORER'S Query refers to the _words_ or _music_ of this hymn.
If to the former, it is most assuredly not Handel's. It is strange that the
church does not possess one _genuine_ psalm or hymn tune of this mighty
master, although he certainly composed several. The popular melody called
_Hanover_, usually attributed to Handel, was printed in the _Supplement to
the New Version of Psalms_ (a collection of tunes) in 1703. Handel did not
arrive in England till 1710. It is improbable, from many circumstances,
that he composed this grand melody. It was probably the work of Dr. Croft.
D'Almaine, the eminent music-seller of Soho Square, published some years
back--
Public-domain text, read in full here on John Shaqi.
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