Bath. * * * * * SPENSER'S MONUMENT. In the _Lives of English Poets_, by William Winstanley (London, printed by H. Clark for Samuel Manship, 1687), in his account of Spenser, p. 92., he says, "he died anno 1598, and was honourably buried at the sole charge of Robert, first of that name, Earl of Essex, on whose monument is written this epitaph:-- "Edmundus Spenser, Londinensis, Anglicorum poetarum nostri seculi fuit princeps, quod ejus Poemata, faventibus Musis, et victuro genio conscripa comprobant. Obiit immatura morte, anno salutis 1598, et prope Galfredum Chaucerum conditur, qui foelicisime Poesin Anglicis literis primus illustravit. In quem hæc scripta sunt Epitaphia. "Hic prope Chaucerum situs est Spenserius, illi Prominens ingenio, proximum ut tumulo Hic prope Chaucerum Spensere poeta poetam Conderis, et versud quam tumulo proprior, Anglica te vivo vixit, plausitque l'oesis; Nunc moritura timet, te moriente mori." I have also a folio copy of Spenser, printed by Henry Hills for Jonathan Edwin, London, 1679. In a short life therein printed, it says that he was buried near Chaucer, 1596; and the frontispiece is an engraving of his tomb, by E. White, which bears this epitaph:-- "Heare lyes (expecting the second comminge of our Saviour, Christ Jesus) the body of Edmond Spenser, the Prince of Poets in his tyme, whose Divine spirit needs noe othir witness than the works which he left behind {482} him. He was borne in London in the yeare 1510, and died in the yeare 1596." Beneath are these lines:-- "Such is the tombs the Noble Essex gave Great Spenser's learned reliques, such his grave: Howe'er ill-treated in his life he were, His sacred bones rest honourably here." How are these two epitaphs, with their differing dates, to be reconciled? Can he have been born in 1510, as the first one says "obiit _immaturâ_ morte?" Now eighty-five is not very immature; and I believe he entered at Pembroke College, Cambridge, in 1569, at which time he would be fifty-nine, and that at a period when college education commenced at an earlier age than now. Vertue's portrait, engraved 1727, takes as a motto the last two lines of the first epitaph--"Anglica te vivo," &c. E.N.W Southwark, April 29 1850. * * * * * BORROWED THOUGHTS. Crenius wrote a dissertation _De Furibus Librariis_, and J. Conrad Schwarz another _De Plagio Literario_, in which some curious appropriations are pointed out; your pages have already contained some additional recent instances. The writers thus pillaged might exclaim, "Pereant iste qui _post_ nos nostra dixerunt." Two or three instances have occurred to me which, I think, have not been noticed. Goldsmith's _Madame Blaize_ is known to be a free version of _La fameuse La Galisse_. His well-known epigram,-- "Here lies poor Ned Purdon, from misery freed,"