_Darcy Lever Church_ (Vol. ii., p. 494.), which is referred to by your correspondent, is the first instance, I believe, of the application of a new material to the construction of an ecclesiastical edifice. It is built throughout, walls, tower, and spire, benches and fittings, of terra cotta from the Ladyshore works. The architect is that accomplished antiquary, Mr. Sharpe of Lancaster, who furnished the designs of every part, from which moulds were made, and in these the composition forming the terra cotta was prepared, and hardened by the application of fire. The style is the purest and richest Second Pointed, and the effect of the pierced work of the spire is, as your correspondent observes, very fine when seen from a distance. There is a rich colour, too, in the material, which has a remarkably pleasing result upon the eye. But a nearer approach destroys the charm. It is found to be a "sham." The lines of the mouldings, mullions, etc., are warped by the heat attendant upon the process of the manufacture. The exquisite sharpness of outline produced by the chisel is wanting, and there is (in consequence of the impossibility of undercutting) an absence of that effect of light and shade which is the characteristic of the mediaeval carvings. The greatest shock is, however, experienced on an examination of the interior. What at first sight appear to be highly elaborated oaken bench-ends and seats are only painted earthenware. In point of fact, it is a POT CHURCH. A similar and larger {28} structure by the same architect, and in the same material, has been erected near Platt Hall, in the parish of Manchester. J.H.P. LERESCHE. The church at Lever Bridge, near Darcy Lever Hall, on the line of railway between Normanton and Bolton, was built about seven years since. The architect is Edward Sharpe, Esq., of Lancaster. The material of the entire structure, including the internal fittings, is terra cotta, from the Ladyshore works in the neighbourhood, where a model of the church, in the same material, is in preparation for the Exhibition of 1851. G.I.F. _Lines attributed to Henry Viscount Palmerston_ (Vol. i., p. 382.).--Having been absent for some time, I have not been able to see whether any one has answered a Query I put, viz:-- "Who was the author of those lines beginning with-- 'Stranger! whoe'er thou art that views this tomb,' etc. which Porson translated into Greek Iambics, beginning with-- [Greek: O xeine, touton hostis eisoras taphon] etc." A friend, who was senior medallist in his time at Cambridge, tells me that tradition said that the lines were set by the Rev. R. Collier, Hebrew Professor and Examiner at Trinity College; and that it is supposed that Collier found them in some magazine of the day.