Notes and Queries, Number 84, June 7, 1851: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Number 84, June 7, 1851: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
The songs of the old bellman are interesting relics of the manners and
customs of "London in the olden time;" but they must not be confounded
with the more modern "copies of verses" which, until lately, were
annually handed about at Christmas time by that all-important
functionary the "Parish Beadle." The history of the old London bellman
may be gleaned from a series of tracts from the pen of those two
prolific writers--Thomas Dekker and Samuel Rowlands. The first of these
in the order of date is _The Belman of London. Bringing to light the
most notorious Villanies that are now practised in the Kingdome.
Profitable for Gentlemen, Lawyers, Merchants, Citizens, Farmers,
Masters of Households, and all sortes of Servants to marke, and
delightfull for all Men to Reade._ Printed at London for Nathaniel
Butler, 4to. 1608. The author of this tract was Thomas Dekker. Its
popularity was so great that it passed through _three_ editions in the
course of one year. The title-page above given is that of the first
impression. It is adorned with an interesting woodcut of the bellman
with bell, lantern, and halberd, followed by his dog. In the following
year the same author printed his _Lanthorne and Candle-light, or the
Bellman's second Nights-walke. In which he brings to light a Brood of
more strange Villanies then ever were till this yeare discovered, &c._
London, printed for John Busbie, 4to. 1609. The success of the _Bellman
of London_, which Dekker published anonymously, induced him to write
this second part, to the dedication of which "to Maister Francis Mustian
of Peckham" he puts his name, while he also admits the authorship of the
first part. This is the second edition of _Lanthorne and Candle-light_,
but it came out originally in the same year. On the title-page of this
tract the bellman is represented in a night-cap, without his dog, and
with a "brown bill" on his shoulder. Three years later Dekker produced
his _O per se O, or a New Cryer of Lanthorne and Candle-light. Being an
Addition, or Lengthening of the Bellman's Second Night-walke, &c._
Printed at London for John Busbie, 4to. 1612. Previous to the year 1648,
this production went through no fewer than _nine_ distinct editions,
varying only in a slight degree from each other. One of these editions,
now before me, has for its title _English Villanies Eight severall times
Prest to Death by the Printers_, 4to. 1648. The author in this calls the
bellman "the childe of darkeness, a common night-walker, a man that hath
no man to wait upon him, but onely a dogge; one that was a disordered
person, and at midnight would beat at men's doores bidding them (in
meere mockerie) to looke to their candles, when they themselves were in
their dead sleepes." The following verses are at the back of the
title-page, preceded by a woodcut of a bellman. The same lines are also
given, "with additions," in the earlier editions of the _Villanies_, but
they are too indecent to quote:
"THE BELL-MAN'S CRY.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account