"To learn by _memory_" (or by "_rote_") conveys to my own mind a very different notion from what I conceive to be expressed by the words "To learn by _heart_." Just as there is an evident difference between a _gentleman in heart and feeling_, and a _gentleman in manners and education only_; so there is a like difference (as I conceive) between learning by heart and learning by rote; namely, the difference between a _moral_, and a merely _intellectual_, operation of the mind. To learn by _memory_ is to learn by _rote_, as a parrot: to learn by _heart_ is to learn _morally--practically_. Thus, we say, we give our hearts to our pursuits: we "love God with all our hearts," pray to Him "with the spirit, and with the understanding," and "with the heart believe unto righteousness:" we "ponder in our hearts," "muse in our hearts," and "keep things in our hearts," i. e. "_learn by heart_." J. E. _Auriga_ (Vol. iii., p. 188.).--Claudius Minois, in his Commentaries on the _Emblemata_ of Alciatus, gives the following etymology of "Auriga:"-- "Auriga non dicitur ab auro, sed ab aureis: sunt enim aureæ lora sive fræni, qui equis ad aures alligantur; sicut oreæ, quibus ora coercentur."--_Alciati Emblemata_, Emb. iv. p. 262. W. R. Hospitio Chelhamensi. _Vineyards in England_ (Vol. ii., p. 392.; Vol. iii., p. 341.).--Add to the others _Wynyard_, so far north as Durham. C. _Barker_ (Vol. iii., p. 406.).--Mr. Barker lived in West Square, St. George's Fields, a square directly opposite the Philanthropic Society's chapel. G. _Barker, the original Panorama Painter._--MR. CUNNINGHAM is quite correct in stating Robert Barker to be the originator of the Panorama. His first work of the kind was a view of Edinburgh, of which city, I believe, he was a native. On his death, in 1806, he was succeeded by his son, Mr. Henry Aston Barker, the Mr. Barker referred to by A. G. This gentleman and his wife (one of the daughters of the late Admiral Bligh) are both living, and reside at Bitton, a village lying midway between this city and Bath. A SUBSCRIBER. Bristol, June 2, 1851. _The Tanthony_ (Vol. iii., pp. 105. 229. 308.).--ARUN's Query is fully answered by a reference to Mrs. Jameson's _Sacred and Legendary Art_, vol. ii. p. 379., where the bell is shown to be emblematic of the saint's power to exorcise evil spirits, and reference is made to several paintings (and an engraving given of one) in which it is represented. The phrase "A Tantony Pig" is also explained, for which see further Halliwell's _Dict. of Arch. and Prov. Words_, s.v. Anthony. C. P. PH***.