Notes and Queries, Vol. III, Number 83, May 31, 1851: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Vol. III, Number 83, May 31, 1851: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
_Swobbers._--There is a known story of a clergyman who was recommended
for a preferment by some great men at court to an archbishop. His Grace
said, "He had heard that the clergyman used to play at whist and
_swobbers_; that as to playing now and then a sober game at whist for
pastime, it might be pardoned; but he could not digest those wicked
swobbers;" and it was with some pains that my Lord Somers could
undeceive him. So says Swift, in his _Essay on the Fates of Clergymen_;
and a note in Sir W. Scott's edition (1824, vol. viii. p 231.) informs
us that the primate was "Tenison, who, by all contemporary accounts, was
a very dull man." At the risk of being thought as dull as the
archbishop, I venture to ask for an explanation of the joke.
J. C. R.
[Johnson, under "Swobber" or "Swabber," gives, "1. A sweeper of the
deck;" and "2. Four privileged cards that are only incidentally used
in betting at the game of whist." He then quotes this passage from
Swift, with the difference that he says "clergymen." Were not the
cards so called because they "swept the deck" by a sort of
"sweep-stakes?"]
* * * * *
_Handel's Occasional Oratorio._--Will DR. RIMBAULT, or some other
musical correspondent of your journal, enlighten us as to the true
meaning of the name _Occasional Oratorio_, prefixed to one of Handel's
compositions, of which no one that I have ever met with has heard more
than the overture? This composition has become almost universally known
from the foolish practice which used to prevail of performing it as an
introduction to _Israel in Egypt_, or any other work to which its
composer had purposely denied the preliminary of an overture; a practice
now happily exploded, which seems to have had its origin in a
misinterpretation of the name; as though Handel had written the overture
to suit any _occasion_ when one might be needed, instead of, as I am
rather disposed to believe, having some particular occasion in view for
which the oratorio was composed.
E. V.
[Surely, if there is no _Occasional_ Oratorio to be found, the
_Overture_ must mean that it was to be used on _occasion_. Our
correspondent does not seem to know the word as it is used by writers
of a century ago, for "Occasional Sermons" or services, &c. The
question is simply one of fact. _Is_ there an Oratorio? Everybody
knows the overture. The writer of this note remembers being horrified,
when a freshman, at hearing the fugue break forth in the College
Chapel, was pondering in his mind whether it was Drops of Brandy, or
the Rondo in the Turnpike-Gate, both then popular tunes.]
* * * * *
_Archbishop Waldeby's Epitaph._--W. W. KING would be obliged by a
perfect copy of the inscription on the monumental brass of Archbishop
Waldeby in Westminster Abbey.
Public-domain text, read in full here on John Shaqi.
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