After the colophon are two pages occupied by remarks on Sallust by "Jacobus a cruce Bononiensis:" leaving the last page in the volume blank, except that in the centre is a woodcut of larger size than that already mentioned, which is on the title-page, but representing the same subject, viz. SS. Peter and Paul holding the sacred handkerchief. On the upper right-hand corner of this last page are the verses quoted by C., and correctly quoted, except that _meæ_ and _puellæ_ in the first line are _mee_ and _puelle_ in the original. There is not the smallest shadow of probability for supposing these verses, or any of the other MS. annotations which occur in the volume, to be in the handwriting of Mary Queen of Scots. She wrote a large and not by any means a scholarlike hand, which is very well known; whereas these verses and the other annotations, are in a small and crampt scholarlike hand of the sixteenth century, as unlike the handwriting of Mary as any that can be imagined. In fact I was not aware, until I read C.'s letter in "NOTES AND QUERIES," that anybody had ever supposed it to be hers. The note recording the donation of this book by James I. to Bishop Hall, occurs fol. xc. It is in a large schoolboylike hand, and is correctly quoted by C. The book contains numerous woodcuts, which have no discoverable relation to the text, and are inserted merely to mark the commencement of the books, or different pieces of which the volume consists. Many of these are repeated several times. The ornamental letter to which C. refers is the letter O, the first in the book. The grotesque character of it noticed by C. would not be easily observed except it were specially pointed out. C. may be assured that it was not particularly pointed out to Her Majesty when she did us the honour of inspecting this and some other literary treasures of our library in 1849. JAMES H. TODD. Trinity Coll. Dublin. STANZAS IN CHILDE HAROLD. (Vol. iv., pp. 223. 285. 323.)