Notes and Queries, Vol. IV, Number 111, December 13, 1851: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
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Notes and Queries, Vol. IV, Number 111, December 13, 1851: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
Again, Gray writes in his truly sublime ode, "The Bard:"
"On a rock, whose haughty brow
Frowns o'er old Conway's foaming flood,
Robed in the sable garb of woe,
With haggard eyes the poet _stood_,
(Loose his beard, and hoary hair
Stream'd, like a meteor, to the troubled air),
And with a master's hand, and prophet's fire,
Struck the deep sorrows of his lyre."
Ordinary readers would have innocently supposed the above "pictured"
passage beyond all praise or criticism. "At non infelix" Wakefield:
"A falcon, tow'ring in her pride of place,
Was by a mousing owl hawk'd at and kill'd."
_Macbeth._
I must give his note as it stands, for I question whether the whole
range of verbal criticism could produce anything more ludicrous:
"I wish Mr. Gray could have introduced a more poetical expression,
than the inactive term _stood_, into this fine passage: as
Shakspeare has, for instance, in his description of _Dover cliff_:
'Half way down
_Hangs_ one, that gathers samphire; dreadful trade!'
_King Lear_, Act IV. Sc. 6.
"Which is the same happy picture as that of Virgil:
"'Dumosa _pendere_ procul de rupe videbo.'
_Ecl._ I. 77."
He might, when his hand was in, have adduced other passages also from
Virgil, _e.g._:
"Imminet in rivi præstantis imaginis undam."
_Culex_, 66.
However, with all due respect for Mr. Wakefield's "happy pictures," I do
not see anything left, but his eyebrows, for the luckless bard to _hang
by_! He could not have _hung_ by his _hair_, which "stream'd like a
meteor to the troubled air;" nor yet by his _hands_, which "swept the
deep sorrows of his lyre." Besides, there can scarcely be more opposite
pictures than that of a man gathering samphire, or kids browsing,
amongst beetling rocks; and the commanding and awe-inspiring position in
which Gray ingeniously places his bard. The expressions chosen by
Virgil, Shakspeare, and Gray were each peculiarly suitable to the
particular objects in view. If Gray was thinking of Milton, as I
intimated in a former letter, he may have still kept him in mind:
"Incens'd with indignation, Satan _stood_
Unterrify'd, and like a comet burn'd,
That fires the length of Ophiuchus huge
In the Arctic sky, and from his horrid hair
Shakes pestilence and war."
_Par. Lost_, lib. ii. 706.
Or again:
"On th' other side, Satan, alarm'd,
_Collecting all his might dilated stood_,
Like Teneriff or Atlas unremov'd:
His stature reach'd the sky, and on his crest
Sat Horror plum'd; nor wanted in his grasp
What seem'd both spear and shield."
_Par. Lost_, lib. iv. 985.
Public-domain text, read in full here on John Shaqi.
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