Notes and Queries, Vol. V, Number 120, February 14, 1852: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.Various
History
Notes and Queries, Vol. V, Number 120, February 14, 1852: A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Various
Questions and answers -- Periodicals
The discrepancy of these two accounts is obvious--if it "_be written in
an old hand, 'The Mother of Rembrandt,'_" on the back of the picture, it
seems strange that Pennant should _omit_ the first three words; if they
be not so written, it seems equally strange that Walpole should venture
to _add_ them. I presume the picture at Windsor is still extant; and
probably some reader of "N. & Q." having access to it, will be so good
as to settle the question of accuracy and veracity between two
gentlemen, of whom one must be guilty of _suppressio veri_, or the other
of _suggestio falsi_.
Horace Walpole, or his editor, must have corrected his "Fugitive Pieces"
since the "Strawberry Hill edition," to which J. H. M. refers, was
printed; for in the edition I have consulted, instead of saying "I can
make no sense of the word _noie_," the meaning is correctly given in a
foot-note to the inscription; and the passage given by J. H. M. is
altogether omitted from the text.
I must now proceed in my bold attempt to show that Horace Walpole knew
nothing of a matter, into which he made a "minute inquiry." This may
seem presumptuous in a tyro towards one of the old masters of
antiquarian lore and research; but I plead in apology the great advance
of the science since Horace Walpole's days, and the greater plenty of
materials for forming or correcting a judgement. It has been well said,
that a single chapter of Mr. Charles Knight's _Old England_ would full
furnish and set up an antiquarian of the last century; and this is true,
such and so many are the advantages for obtaining information, which we
modern antiquaries possess over those who are gone before us; and
lastly, to quote old Fuller's quaintness, I would say that "a dwarf on a
giant's shoulders can see farther than he who carries him:" thus do I
explain and excuse my attempt to impugn the conclusion of Horace
Walpole.
Walpole's first conjectures applied to a Countess of Desmond, whose tomb
is at Sligo in Ireland, and who was widow to that _Gerald_, the
sixteenth earl, _ingens rebellibus exemplar_, who was outlawed, and
killed in the wood of _Glanagynty_, in the county of Kerry, A.D. 1583.
Walpole applied to an Irish correspondent for copies of the inscriptions
on her tomb; but we need not follow or discuss the supposition of her
identity with "the old Countess" further, for he himself abandons it,
and writes to his Irish correspondent thus:--"_The inscriptions you have
sent me have not cleared away the difficulties relating to the Countess
of Desmond; on the contrary, they make me doubt whether the lady
interred at Sligo was the person reported to have lived to such an
immense age._"
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