Political fiction; Russia -- History -- 1801-1917 -- Fiction; Russia -- Officials and employees -- Fiction
But the period of my dissipation would end and I always felt very sick
afterwards. It was followed by remorse—I tried to drive it away; I felt
too sick. By degrees, however, I grew used to that too. I grew used to
everything, or rather I voluntarily resigned myself to enduring it. But
I had a means of escape that reconciled everything—that was to find
refuge in “the sublime and the beautiful,” in dreams, of course. I was
a terrible dreamer, I would dream for three months on end, tucked away
in my corner, and you may believe me that at those moments I had no
resemblance to the gentleman who, in the perturbation of his chicken
heart, put a collar of German beaver on his great-coat. I suddenly
became a hero. I would not have admitted my six-foot lieutenant even if
he had called on me. I could not even picture him before me then. What
were my dreams and how I could satisfy myself with them—it is hard to
say now, but at the time I was satisfied with them. Though, indeed,
even now, I am to some extent satisfied with them. Dreams were
particularly sweet and vivid after a spell of dissipation; they came
with remorse and with tears, with curses and transports. There were
moments of such positive intoxication, of such happiness, that there
was not the faintest trace of irony within me, on my honour. I had
faith, hope, love. I believed blindly at such times that by some
miracle, by some external circumstance, all this would suddenly open
out, expand; that suddenly a vista of suitable activity—beneficent,
good, and, above all, _ready made_ (what sort of activity I had no
idea, but the great thing was that it should be all ready for me)—would
rise up before me—and I should come out into the light of day, almost
riding a white horse and crowned with laurel. Anything but the foremost
place I could not conceive for myself, and for that very reason I quite
contentedly occupied the lowest in reality. Either to be a hero or to
grovel in the mud—there was nothing between. That was my ruin, for when
I was in the mud I comforted myself with the thought that at other
times I was a hero, and the hero was a cloak for the mud: for an
ordinary man it was shameful to defile himself, but a hero was too
lofty to be utterly defiled, and so he might defile himself. It is
worth noting that these attacks of the “sublime and the beautiful”
visited me even during the period of dissipation and just at the times
when I was touching the bottom. They came in separate spurts, as though
reminding me of themselves, but did not banish the dissipation by their
appearance. On the contrary, they seemed to add a zest to it by
contrast, and were only sufficiently present to serve as an appetising
sauce. That sauce was made up of contradictions and sufferings, of
agonising inward analysis, and all these pangs and pin-pricks gave a
certain piquancy, even a significance to my dissipation—in fact,
completely answered the purpose of an appetising sauce. There was a
certain depth of meaning in it.
Public-domain text, read in full here on John Shaqi.
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