Political fiction; Russia -- History -- 1801-1917 -- Fiction; Russia -- Officials and employees -- Fiction
even that will be a joy, They will love you for it afterwards; so you
are laying by for your future. As the children grow up you feel that
you are an example, a support for them; that even after you die your
children will always keep your thoughts and feelings, because they have
received them from you, they will take on your semblance and likeness.
So you see this is a great duty. How can it fail to draw the father and
mother nearer? People say it’s a trial to have children. Who says that?
It is heavenly happiness! Are you fond of little children, Liza? I am
awfully fond of them. You know—a little rosy baby boy at your bosom,
and what husband’s heart is not touched, seeing his wife nursing his
child! A plump little rosy baby, sprawling and snuggling, chubby little
hands and feet, clean tiny little nails, so tiny that it makes one
laugh to look at them; eyes that look as if they understand everything.
And while it sucks it clutches at your bosom with its little hand,
plays. When its father comes up, the child tears itself away from the
bosom, flings itself back, looks at its father, laughs, as though it
were fearfully funny, and falls to sucking again. Or it will bite its
mother’s breast when its little teeth are coming, while it looks
sideways at her with its little eyes as though to say, ‘Look, I am
biting!’ Is not all that happiness when they are the three together,
husband, wife and child? One can forgive a great deal for the sake of
such moments. Yes, Liza, one must first learn to live oneself before
one blames others!”
“It’s by pictures, pictures like that one must get at you,” I thought
to myself, though I did speak with real feeling, and all at once I
flushed crimson. “What if she were suddenly to burst out laughing, what
should I do then?” That idea drove me to fury. Towards the end of my
speech I really was excited, and now my vanity was somehow wounded. The
silence continued. I almost nudged her.
“Why are you—” she began and stopped. But I understood: there was a
quiver of something different in her voice, not abrupt, harsh and
unyielding as before, but something soft and shamefaced, so shamefaced
that I suddenly felt ashamed and guilty.
“What?” I asked, with tender curiosity.
“Why, you...”
“What?”
“Why, you ... speak somehow like a book,” she said, and again there was
a note of irony in her voice.
That remark sent a pang to my heart. It was not what I was expecting.
Public-domain text, read in full here on John Shaqi.
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