The character to be seen there, and to be loved at sight! The adventures to be heard at first-hand, and sometimes even shared! The fun, the pathos, the underlying horror, but the grandeur lying deeper yet, all to be encountered together at any minute of any working hour! The Romance of War it is, but not only the romance; and talking of my sedative, with all affection for an author who once kept me only too wide awake, it was not of him that I thought by day behind my counter. It was of Dickens. It was of Hugo. It was of Reade, who might have done the best battle in British fiction (and did one of the very best sea-fights), of Scott and Stevenson and the one or two living fathers of families who will die as hard as theirs. Their children were always coming to life before our eyes, especially the Dickens progeny. Sapper Pinch was a friend of mine, with one or two near relations in the R.A.M.C. There were several Private Tapleys, and not one of them a bore; on the contrary, they were worth their weight in gold. And there was an older man whose real name was obviously Sikes, though the worst thing we knew about him was that he smoked an ounce of Nosegay every day he was down, and never said please or thank-you. Once, when we had not seen him for sixteen days, he knew there was something else he wanted but could not remember what. 'Nosegays!' I could tell him, and planked a packet on the counter. It was the one time I saw him smile. But it was not only business hours that brought forth these immortals; two of the best were always with us in the superbly contrasted persons of our two orderlies. The slower and clumsier of the pair was by rights an Oxfordshire shepherd; in the Army, even under necessity's sternest law, he was matter in the wrong place altogether. Oxfordshire may not be actually a part of Wessex, but there is one part of Oxfordshire as remote as the scene of any of the Wessex Novels, and that was our Strephon's native place. He might have been the real and original Gabriel Oak--as Mr. Hardy found him, not as we fortunately know the bucolic hero of _Far from the Madding Crowd_. Our Gabriel was the simplest bumpkin ever seen or heard off the London stage. He it was who, in his early days in France, had heavily inquired: 'Who be this 'ere Fritz they be arl tarkin' about?' Thus did he habitually conjugate the verb _to be_; but all his locutions and most of his manners and customs, his puzzled head-scratchings, his audible self-communings, his crass sagacity and his simple cunning, were pastoral conventions of quite time-honoured theatricality. His very walk, for all his drills, was the ponderous waddle of the stage rustic. But on his own showing he had (like another Tommy) 'proved one too many for his teachers' at an early stage of his military education. Not all their precept and profanity, not all his pristine ardour as a volunteer, had sufficed to put poor Gabriel on terms of adequate familiarity with his rifle.