Notes of a Camp-Follower on the Western FrontHornung, E. W. (Ernest William)
History
Notes of a Camp-Follower on the Western Front
Hornung, E. W. (Ernest William)
World War, 1914-1918 -- Personal narratives; World War, 1914-1918 -- War work -- Young Men's Christian Associations
The Ark was such a busy canteen that all this is easier said than it was
done. Every morning we were kept at it as continuously from eleven to
one as ever we were from four-thirty to eight-thirty. Those were our
business hours; and though it was never quite such fierce shopping in
the forenoon, it was then that the leader would go off in quest of fresh
supplies and I was apt to be left in charge. This happened my very first
morning. Shall I ever forget the intimidating multitude of Army boots
seen under the door before we opened! And there was another of the early
days, when the Somersets stormed our parapet in full fighting
paraphernalia, with only me to stand up to them. Not much chance of
foregathering then; but never an hour, seldom a single transaction
within the hour, but brought me from the other side some quaint remark,
some adorable display of patience, courtesy, or homely fun. The change
difficulty was chronic, and mutually most exasperating; it was over that
stile the men were always helping each other or helping me, with never a
trace of the irritation I felt myself. They were the most delightful
customers one could wish to serve. But that made it the more tantalising
to have but a word with them on business. My young chief was once more
my better here; he had only to be behind the counter to 'get across' as
much as he liked, and in as few words. But I required a slack half-hour
when I could take my pipe down the hut and seek out some solitary, or
make overtures to the man at the piano.
It was generally the man's chum who responded in the first instance; for
every Æneas in the new legions has his staunch Achates, who collects the
praise as for the firm, adding his own mite in a beaming whisper. 'He
has his own choir in Edinburgh,' said one Jock of another who was
playing and singing the Scottish songs with urgent power. The piano is
the surest touchstone in a hut. It brings out the man of talent--but
also the bore who hammers with one thick-skinned finger--but also the
prevailing lenience that puts up with the bore. I _have_ been entreated
to keep my piano locked and the key in the till; and once on the counter
I found an anonymous notice, with a line requesting me to affix it to
the instrument without delay: 'If you do play, do play--If you don't
play, don't!' But a pianist of any pretensions has a crowd round him in
a minute; and a splendid little audience it always is. The set concert,
as I heard it, was not a patch on these unpremeditated recitals.
Public-domain text, read in full here on John Shaqi.
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