After quoting which my father comments: "Never was anything more false
than this worship of sorrow by Carlyle; he has picked it up out of past
history and spouts it for mere display, as a virtuoso delights in the
style of his grandfather. It is the merest babble in him, as everyone
who has ever talked an hour with him will acquit him of the least grain
of humility. A man who has once uttered a cry of despair should ever
after clothe himself in sackcloth and ashes."
The writer was to have meanwhile, before our migration of 1855, a
considerable lecturing activity. A confused, yet perfectly recoverable
recollection, on my own part, of these years, connects itself with our
knowledge that our father engaged in that practice and that he went
forth for the purpose, with my mother always in earnest and confident
even though slightly fluttered attendance, at about the hour of our
upward procession to bed; which fact lent to the proceeding--that is to
_his_--a strange air of unnatural riot, quite as of torch-lighted and
wind-blown dissipation. We went to plays and to ballets, and they had
comparatively speaking no mystery; but at no lecture had we ever been
present, and these put on for my fancy at least a richer light and
shade, very much as if we ourselves had been on the performing side of
the curtain, or the wonder of admiring (in our mother's person) and of
being admired (in our father's) had been rolled for us into a single
glory. This glory moreover was not menaced, but only made more of a
thrill by the prime admirer's anxiety, always displayed at the last, as
to whether they were not starting without the feature of features, the
_corpus delicti_ or manuscript itself; which it was legendary with us
that the admired had been known to drive back for in an abashed flurry
at the moment we were launched in dreams of him as in full, though
mysterious, operation. I can see him now, from the parlour window, at
the door of the carriage and under the gusty street-lamp, produce it
from a coat-tail pocket and shake it, for her ideal comfort, in the
face of his companion. The following, to Emerson, I surmise, is of some
early date in the autumn of '52.
Public-domain text, read in full here on John Shaqi.
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