My friend ---- is a tropical phenomenon, a favourite of nature whatever his fellow man may say of him. His face and person are handsome rather than otherwise, and it's obvious that he is a very unsoiled and pure piece of humanity in all _personal_ regards. And with such a gift of oratory--such a boundless wealth of diction set off by copious and not ungraceful gesticulation! Here is where he belongs to the tropics, where nature claims him for her own and flings him like a cascade in the face of conventional good-breeding. I can't begin to describe him, he is what I have never before met. I see that he can't help turning out excessively tiresome, but he is not at all vulgar. He has a genius for elocution, that is all; but a real genius and no mistake. In comparison with Mr. F. L. or Mr. Longfellow or the restrained Boston style of address generally, he is what the sunflower is to the snowdrop; but on the whole, if I could kick his shins whenever I should like to and so reduce him to silence, I prefer him to the others. What mainly commends to me certain other passages of other dates (these still reaching on a little) is doubtless the fact that I myself show in them as the object of attention and even in a manner as a claimant for esthetic aid. This latter active sympathy overflows in a letter of the spring of '70, which would be open to more elucidation than I have, alas, space for. Let the sentence with which it begins merely remind me that Forrest, the American actor, of high renown in his time, and of several of whose appearances toward the close of his career I keep a memory uneffaced--the impression as of a deep-toned thunderous organ, a prodigious instrument pounded by a rank barbarian--had been literally, from what we gathered, an early comrade of our parent: literally, I say, because the association could seem to me, at my hours of ease, so bravely incongruous. By my hours of ease I mean those doubtless too devoted to that habit of wanton dispersed embroidery for which any scrap of the human canvas would serve. From one particular peg, I at the same time allow, the strongest sense of the incongruity depended--my remembrance, long entertained, of my father's relating how, on an occasion, which must have been betimes in the morning, of his calling on the great tragedian, a man of enormous build and strength, the latter, fresh and dripping from the bath, had entered the room absolutely upside down, or by the rare gymnastic feat of throwing his heels into the air and walking, as with strides, on his hands; an extraordinary performance if kept up for more than a second or two, and the result at any rate of mere exuberance of muscle and pride and robustious joie de vivre. It had affected me, the picture, as one of those notes of high colour that the experience of a young Albany viveur, the like of which I felt I was