was, as we nowadays say, after; the fault with my previous data in the
American kind had been that they weren't sufficiently given; so that
here would be Boston and Cambridge giving as with absolute authority.
The War had by itself of course, on the ground I speak of, communicated
something of the quality, or rather of the quantity, otherwise
deficient; only this was for my case, of which alone I speak, an
apprehension without a language or a channel--a revelation as sublime
as one would like to feel it, but spreading abroad as a whole and not,
alas, by any practice of mine, reducible to parts. What I promptly made
out at Cambridge was that "America" would be given, as I have called it,
to a tune altogether fresh, so that to hear this tune wholly played out
might well become on the spot an inspiring privilege. If I indeed, I
should add, said to myself "wholly," this was of course not a little
straining a point; since, putting my initiation, my grasp of the
exhibition, at its conceivable liveliest, far more of the supposed total
was I inevitably to miss than to gather to my use. But I might gather
what I could, and therein was exactly the adventure. To rinse my mouth
of the European aftertaste _in order_ to do justice to whatever of the
native bitter-sweet might offer itself in congruous vessels--such a
brave dash for discovery, and such only, would give a sense to my
posture. With which it was unmistakable that I shouldn't in the least
have painfully to strive; of such a force of impact was each impression
clearly capable that I had much rather to steady myself, at any moment,
where I stood, and quite to a sense of the luxury of the occasion, than
to cultivate inquiry at the aggressive pitch. There was no need for
curiosity--it was met by every object, I seemed to see, so much more
than half way; unless indeed I put it better by saying that as _all_ my
vision partook of that principle the impulse and the object perpetually
melted together. It wasn't for instance by the faintest process of
inquiry that the _maison_ Upham, where I three times daily sat at meat,
had scarce to wait an hour to become as vivid a translation into
American terms of Balzac's Maison Vauquer, in Le Pere Goriot, as I could
have desired to deal with.
Public-domain text, read in full here on John Shaqi.
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