It would have been at once uplifting to see in the American terms a vast improvement on the prime version, had I not been here a bit baffled by the sense that the correspondence was not quite, after all, of like with like, and that the main scene of Balzac's action was confessedly and curiously sordid and even sinister, whereas its equivalent under the Harvard elms would rank decidedly as what we had _de mieux_, or in other words of most refined, in the "boarding" line, to show. I must have been further conscious that what we had de mieux in the social line appeared quite liable, on occasion, to board wherever it might--the situation in Balzac's world being on this head as different as possible. No one not deeply distressed or dismally involved or all but fatally compromised could have taken the chances of such an establishment at all; so that any comparison to our own particular advantage had to be, on reflection, nipped in the bud. There was a generic sameness, none the less, I might still reason; enough of that at least to show the two pictures as each in its way interesting--which was all that was required. The Maison Vauquer, its musty air thick with heavier social elements, might have been more so, for the Harvard elms overhung no strange Vautrin, no old Goriot, no young Rastignac; yet the interest of the Kirkland Street company couldn't, so to speak, help itself either, any more than I could help taking advantage of it. In one respect certainly, in the matter of talk as talk, we shone incomparably brighter; and if it took what we had de mieux to make our so regular resort a scene essentially of conversation, the point was none the less that our materials were there. I found the effect of this, very easily, as American as I liked--liked, that is, to think of it and to make all I might of it for being; about which in truth all difficulty vanished from the moment the local colour of the War broke in. So of course this element did at that season come back to us through every outward opening, and mean enough by contrast had been the questions amid which the Vauquer boarders grubbed. Anything even indirectly touched by our public story, stretching now into volume after volume of the very biggest print, took on that reflected light of dignity, of importance, or of mere gross salience, which passion charged with criticism, and criticism charged with the thousand menaced affections and connections, the whole of the reaction--charged in short with immediate intimate life--have a power, in such conditions, to fling as from a waving torch. The torch flared sufficiently about Miss Upham's board--save that she herself, ancient spinster, pushed it in dismay from her top of the table, blew upon it with vain scared sighs, and would have nothing to do with a matter so disturbing to the right temperature of her _plats_. We others passed it from hand to hand, so that it couldn't go quite