side," had the further, the supreme grace that she melted into American
opportunities of friendship--and small blame to her, given such as she
then met--with the glee of a sudden scarce believing discoverer. Tuscany
could only swoon away under comparison of its starved sociabilities and
complacent puerilities, the stress of which her previous years had so
known, with the multiplied welcomes and freedoms, the exquisite and easy
fellowships that glorified to her the home scene. Into not the least of
these quick affinities had her prompt acquaintance with Mary Temple
confidently ripened; and with no one in the aftertime, so long as that
too escaped the waiting shears, was I to find it more a blest and
sacred rite, guarded by no stiff approaches, to celebrate my cousin's
memory. That really is my apology for this evocation--which might under
straighter connections have let me in still deeper; since if I have
glanced on another page of the present miscellany at the traps too often
successfully set for my wandering feet my reader will doubtless here
recognise a perfect illustration of our danger and will accuse me of
treating an inch of canvas to an acre of embroidery. Let the poor canvas
figure time and the embroidery figure consciousness--the proportion will
perhaps then not strike us as so wrong. Consciousness accordingly still
grips me to the point of a felt pressure of interest in such a matter as
the recoverable history--history in the esthetic connection at least--of
its insistent dealings with a given case. How in the course of time for
instance was it not insistently to deal, for a purpose of application,
with the fine prime image deposited all unwittingly by the "picturesque"
(as I absolutely required to feel it) Boott situation or Boott _data_?
The direct or vital value of these last, in so many ways, was
experiential, a stored and assimilated thing; but the seed of suggestion
proved after long years to have kept itself apart in order that it
should develop under a particular breath. A not other than lonely and
bereft American, addicted to the arts and endowed for them, housed to
an effect of long expatriation in a massive old Florentine villa with a
treasured and tended little daughter by his side, _that_ was the germ
which for reasons beyond my sounding the case of Frank Boott had been
appointed to plant deep down in my vision of things. So lodged it
waited, but the special instance, as I say, had lodged it, and it lost
no vitality--on the contrary it acquired every patience--by the fact
that little by little each of its connections above ground, so to speak,
was successively cut. Then at last after years it raised its own head
into the air and found its full use for the imagination. An Italianate
bereft American with a little moulded daughter in the setting of a
massive old Tuscan residence was at the end of years exactly what was
required by a situation of my own--conceived in the light of the Novel;
Public-domain text, read in full here on John Shaqi.
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