and I _had_ it there, in the authenticated way, with its essential fund
of truth, at once all the more because my admirable old friend had given
it to me and none the less because he had no single note of character or
temper, not a grain of the non-essential, in common with my Gilbert
Osmond. This combination of facts has its shy interest, I think, in the
general imaginative or reproductive connection--testifying as it so
happens to do on that whole question of the "putting of people into
books" as to which any ineptitude of judgment appears always in order.
I probably shouldn't have had the Gilbert Osmonds at all without the
early "form" of the Frank Bootts, but I still more certainly shouldn't
have had them with the _sense_ of my old inspirers. The form had to be
disembarrassed of that sense and to take in a thoroughly other; thanks
to which account of the matter I am left feeling that I scarce know
whether most to admire, for support of one's beautiful business of the
picture of life, the relation of "people" to art or the relation of art
to people. Adorable each time the mystery of which of these factors, as
we say, has the more prevailingly conduced to a given effect--and too
much adored, at any rate, I allow, when carrying me so very far away. I
retrace my steps with this next.
I have made several attempts lately to write you a letter, but I
have given it up after two or three pages, because I have always
been in a blue state of mind at the time, and have each time
charitably decided before it was too late to spare you. But if I
were to wait until things change to rose-colour I might perhaps
wait till I die, or longer even, in which case your next
communication from me would be a spiritual one. I am going to
Newport in the early part of May to meet the Bootts--Henrietta has
just come back from there delighted with her visit; why, heaven
knows, I suppose, but I don't--except that she is in that blissful
state of babyhood peculiar to herself where everything seems
delightful.... I like George Eliot not through her poem so much,
not nearly so much, as through her prose. The creature interests me
personally, and I feel a desire to know something of her life; how
far her lofty moral sentiments have served her practically--for
instance in her dealings with Lewes. I see that she understands the
character of a _generous_ woman, that is of a woman who believes in
generosity and who must be that or nothing, and who feels keenly,
notwithstanding, how hard it is practically to follow this out, and
how (looking at it from the point of view of comfort as far as this
world goes) it "pays" not at all. We are having weather quite like
summer and rather depressing; I don't feel very well and am always
catching cold--that is I suppose I am, as I have a cough nearly all
the time. As for Phillips Brooks, what you say of him is, no doubt,
Public-domain text, read in full here on John Shaqi.
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