I puzzle it out to-day that my parents had simply said to themselves, in
serious concern, that I read too many novels, or at least read them too
attentively--_that_ was the vice; as also that they had by the contagion
of their good faith got me in a manner to agree with them; since I
could almost always enter, to the gain of "horizon" but too often to
the perversion of experience, into any view of my real interests,
so-called, that was presented to me with a dazzling assurance. I didn't
consider certainly that I was so forming my mind, and was doubtless
curious to see whether it mightn't, by a process flourishing in other
applications, get to some extent formed. It wasn't, I think, till I felt
the rapture of that method's arrest that I knew how grotesquely little
it had done for me. And yet I bore it afterwards no malice--resorting
again to that early fatalistic philosophy of which the general sense was
that almost anything, however disagreeable, had been worth while; so
unable was I to claim that it hadn't involved impressions. I positively
felt the impressional harvest rather rich, little as any item of it
might have passed at the time for the sort of thing one exhibits as a
trophy of learning. My small exhibition was all for myself and consisted
on the whole but of a dusty, spotty, ugly picture--I took it for ugly
well-nigh to the pitch of the sinister. Its being a picture at all--and
I clung to that--came from the personal and material facts of the place,
where I was the only scholar of English speech, since my companions,
with a Genevese predominance, were variously polyglot. They wondered, I
couldn't doubt, what I was doing among them, and what lost lamb, almost
audibly bleating, I had been charged to figure. Yet I remember no crude
chaff, no very free relation of any one with any one, no high pitch,
still less any low descent, of young pleasantry or irony; our manners
must have been remarkably formed, and our general tone was that of a
man-of-the-world discretion, or at the worst of a certain small
bourgeois circumspection. The dread in the Genevese of having definitely
to "know" strangers and thereby be at costs for any sort of hospitality
to them comes back to me as written clear; not less than their being of
two sorts or societies, sons of the townspeople pure and simple and sons
of the local aristocracy perched in certain of the fine old houses of
the Cite and enjoying a background of sturdily-seated lakeside villas
and deeply umbrageous campagnes. I remember thinking the difference of
type, complexion and general _allure_ between these groups more marked,
to all the senses, than any "social distinction" I had yet encountered.
But the great thing was that I could so simplify our enclosing scene
itself, round it in and make it compose--the dark, the dreary
Institution, squeezed into a tall, dim, stony-faced and stony-hearted
house at the very top of the Cite and directly in the rear of the
Public-domain text, read in full here on John Shaqi.
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