really to remain, for our appreciation, the supreme case of a taste for
life as life, as personal living; of an endlessly active and yet somehow
a careless, an illusionless, a sublimely forewarned curiosity about it:
something that made her, slim and fair and quick, all straightness and
charming tossed head, with long light and yet almost sliding steps and a
large light postponing, renouncing laugh, the very muse or amateur
priestess of rash speculation. To express her in the mere terms of her
restless young mind, one felt from the first, was to place her, by a
perversion of the truth, under the shadow of female "earnestness"--for
which she was much too unliteral and too ironic; so that, superlatively
personal and yet as independent, as "off" into higher spaces, at a
touch, as all the breadth of her sympathy and her courage could send
her, she made it impossible to say whether she was just the most moving
of maidens or a disengaged and dancing flame of thought. No one to come
after her could easily seem to show either a quick inward life or a
brave, or even a bright, outward, either a consistent contempt for
social squalors or a very marked genius for moral reactions. She had in
her brief passage the enthusiasm of humanity--more, assuredly, than any
charming girl who ever circled, and would fain have continued to circle,
round a ballroom. This kept her indeed for a time more interested in the
individual, the immediate human, than in the race or the social order at
large; but that, on the other hand, made her ever so restlessly, or
quite inappeasably, "psychologic." The psychology of others, in her
shadow--I mean their general resort to it--could only for a long time
seem weak and flat and dim, above all not at all amusing. She burned
herself out; she died at twenty-four.
Public-domain text, read in full here on John Shaqi.
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