Conrad, Joseph, 1857-1924; Essays; Literature -- History and criticism
Transcribed from the 1921 J. M. Dent edition by David Price, email
ccx074@coventry.ac.uk
NOTES ON LIFE & LETTERS
Contents:
Author's note
PART I--Letters
BOOKS--1905.
HENRY JAMES--AN APPRECIATION--1905
ALPHONSE DAUDET--1898
GUY DE MAUPASSANT--1904
ANATOLE FRANCE--1904
TURGENEV--1917
STEPHEN CRANE--A NOTE WITHOUT DATES--1919
TALES OF THE SEA--1898
AN OBSERVER IN MALAYA--1898
A HAPPY WANDERER--1910
THE LIFE BEYOND--1910
THE ASCENDING EFFORT--1910
THE CENSOR OF PLAYS--AN APPRECIATION--1907
PART II--Life
AUTOCRACY AND WAR--1905
THE CRIME OF PARTITION--1919
A NOTE ON THE POLISH PROBLEM--1916
POLAND REVISITED--1915
FIRST NEWS--1918
WELL DONE--1918
TRADITION--1918
CONFIDENCE--1919
FLIGHT--1917
SOME REFLECTIONS ON THE LOSS OF THE _TITANIC_--1912
CERTAIN ASPECTS OF THE ADMIRABLE INQUIRY INTO THE LOSS OF THE
_TITANIC_--1912
PROTECTION OF OCEAN LINERS--1914
A FRIENDLY PLACE
AUTHOR'S NOTE
I don't know whether I ought to offer an apology for this collection
which has more to do with life than with letters. Its appeal is made to
orderly minds. This, to be frank about it, is a process of tidying up,
which, from the nature of things, cannot be regarded as premature. The
fact is that I wanted to do it myself because of a feeling that had
nothing to do with the considerations of worthiness or unworthiness of
the small (but unbroken) pieces collected within the covers of this
volume. Of course it may be said that I might have taken up a broom and
used it without saying anything about it. That, certainly, is one way of
tidying up.
But it would have been too much to have expected me to treat all this
matter as removable rubbish. All those things had a place in my life.
Whether any of them deserve to have been picked up and ranged on the
shelf--this shelf--I cannot say, and, frankly, I have not allowed my mind
to dwell on the question. I was afraid of thinking myself into a mood
that would hurt my feelings; for those pieces of writing, whatever may be
the comment on their display, appertain to the character of the man.
And so here they are, dusted, which was but a decent thing to do, but in
no way polished, extending from the year '98 to the year '20, a thin
array (for such a stretch of time) of really innocent attitudes: Conrad
literary, Conrad political, Conrad reminiscent, Conrad controversial.
Well, yes! A one-man show--or is it merely the show of one man?
Public-domain text, read in full here on John Shaqi.
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