Conrad, Joseph, 1857-1924; Essays; Literature -- History and criticism
To find out its value you must go to the book. But I will observe here
that an Immortality liable at any moment to betray itself fatuously by
the forcible incantations of Mr. Stead or Professor Crookes is scarcely
worth having. Can you imagine anything more squalid than an Immortality
at the beck and call of Eusapia Palladino? That woman lives on the top
floor of a Neapolitan house, and gets our poor, pitiful, august dead,
flesh of our flesh, bone of our bone, spirit of our spirit, who have
loved, suffered and died, as we must love, suffer, and die--she gets them
to beat tambourines in a corner and protrude shadowy limbs through a
curtain. This is particularly horrible, because, if one had to put one's
faith in these things one could not even die safely from disgust, as one
would long to do.
And to believe that these manifestations, which the author evidently
takes for modern miracles, will stay our tottering faith; to believe that
the new psychology has, only the other day, discovered man to be a
"spiritual mystery," is really carrying humility towards that universal
provider, Science, too far.
* * * * *
We moderns have complicated our old perplexities to the point of
absurdity; our perplexities older than religion itself. It is not for
nothing that for so many centuries the priest, mounting the steps of the
altar, murmurs, "Why art thou sad, my soul, and why dost thou trouble
me?" Since the day of Creation two veiled figures, Doubt and Melancholy,
are pacing endlessly in the sunshine of the world. What humanity needs
is not the promise of scientific immortality, but compassionate pity in
this life and infinite mercy on the Day of Judgment.
And, for the rest, during this transient hour of our pilgrimage, we may
well be content to repeat the Invocation of Sar Peladan. Sar Peladan was
an occultist, a seer, a modern magician. He believed in astrology, in
the spirits of the air, in elves; he was marvellously and deliciously
absurd. Incidentally he wrote some incomprehensible poems and a few
pages of harmonious prose, for, you must know, "a magician is nothing
else but a great harmonist." Here are some eight lines of the
magnificent Invocation. Let me, however, warn you, strictly between
ourselves, that my translation is execrable. I am sorry to say I am no
magician.
"O Nature, indulgent Mother, forgive! Open your arms to the son,
prodigal and weary.
"I have attempted to tear asunder the veil you have hung to conceal from
us the pain of life, and I have been wounded by the mystery. . . .
OEdipus, half way to finding the word of the enigma, young Faust,
regretting already the simple life, the life of the heart, I come back to
you repentant, reconciled, O gentle deceiver!"
THE ASCENDING EFFORT--1910
Public-domain text, read in full here on John Shaqi.
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