The book {6} which in the course of the last few days I have opened and shut several times is not imaginative. But, on the other hand, it is not a dumb book, as some are. It has even a sort of sober and serious eloquence, reminding us that not poetry alone is at fault in this matter. Mr. Bourne begins his _Ascending Effort_ with a remark by Sir Francis Galton upon Eugenics that "if the principles he was advocating were to become effective they must be introduced into the national conscience, like a new religion." "Introduced" suggests compulsory vaccination. Mr. Bourne, who is not a theologian, wishes to league together not science and religion, but science and the arts. "The intoxicating power of art," he thinks, is the very thing needed to give the desired effect to the doctrines of science. In uninspired phrase he points to the arts playing once upon a time a part in "popularising the Christian tenets." With painstaking fervour as great as the fervour of prophets, but not so persuasive, he foresees the arts some day popularising science. Until that day dawns, science will continue to be lame and poetry blind. He himself cannot smooth or even point out the way, though he thinks that "a really prudent people would be greedy of beauty," and their public authorities "as careful of the sense of comfort as of sanitation." As the writer of those remarkable rustic note-books, _The Bettesworth Book_ and _Memoirs of a Surrey Labourer_, the author has a claim upon our attention. But his seriousness, his patience, his almost touching sincerity, can only command the respect of his readers and nothing more. He is obsessed by science, haunted and shadowed by it, until he has been bewildered into awe. He knows, indeed, that art owes its triumphs and its subtle influence to the fact that it issues straight from our organic vitality, and is a movement of life-cells with their matchless unintellectual knowledge. But the fact that poetry does not seem obviously in love with science has never made him doubt whether it may not be an argument against his haste to see the marriage ceremony performed amid public rejoicings.