Notes on Novelists, with Some Other NotesJames, Henry
History
Notes on Novelists, with Some Other Notes
James, Henry
Fiction -- History and criticism; Novelists
There would probably be no difficulty in agreeing to this if it didn’t
seem on the part of the speaker the result of a rare confusion between
give and take, between “truth” and information. The true thing that most
matters to us is the true thing we have most use for, and there are
surely many occasions on which the truest thing of all is the necessity
of the mind, its simple necessity of feeling. Whether it feels in order
to learn or learns in order to feel, the event is the same: the side on
which it shall most feel will be the side to which it will most incline.
If it feels more about a Zola functionally undeciphered it will be
governed more by that particular truth than by the truth about his
digestive idiosyncrasies, or even about his “olfactive perceptions” and
his “arithmomania or impulse to count.” An affirmation of our “mere
taste” may very supposedly be our individual contribution to the general
clearing up. Nothing often is less superficial than to ignore and
overlook, or more constructive (for living and feeling at all) than to
want impatiently to choose. If we are aware that in the same way as
about a Zola undeciphered we should have felt more about a George Sand
unexposed, the true thing we have gained becomes a poor substitute for
the one we have lost; and I scarce see what difference it makes that the
view of the elder novelist appears in this matter quite to march with
that of the younger. I hasten to add that as to being of course asked
why in the world with such a leaning we have given time either to M.
Zola’s physician or to Musset’s correspondent, this is only another
illustration of the bewildering state of the subject.
Public-domain text, read in full here on John Shaqi.
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